ILAB Joins the Protest Against Amazon’s Bid to Control Top-Level Domain Names

Today, the International League of Antiquarian Booksellers has joined the numerous other organizations, such as the Authors Guild or the American Association of Publishers, objecting to the Internet Corporation for Assigned Names and Numbers (ICANN’s) plan to sell top-level domains to private companies.  Online retail giant Amazon has bid to be the exclusive custodian of .book, .author and .read domains. Read more ...

Paris 2014 - 41st ILAB Congress

The ILAB and SLAM committees are very pleased to announce that the 41st ILAB Congress will run in Paris from the 13th to 16th April, 2014, to coincide with the 100th anniversary of SLAM. The Paris Congress will immediately follow the International Antiquarian Book Fair at the Grand Palais scheduled from 10th to 13th of April 2014. We hope that the very special  program that we have planned will attract numerous visitors to Paris and we are looking forward to meeting our new colleagues and welcoming old friends.

Anne Lamort, President SLAM, Tom Congalton, President ILAB

ILAB Patrons of Honour

ILAB is very proud to present Sir David Attenborough, Barry Humphries, René Fayt, Michael Knoche, Reiner Speck, Jay and Jean Kislak and Sid Lapidus as Patrons of Honour:

"Their commitment to the preservation of printed culture makes them our clients, our audience, and our inspiration, and very often all three. The paths that they have followed and the collections that they have formed are likely to have an extraordinary influence on the understanding of human culture for future generations."

16th ILAB Breslauer Prize for Bibliography

The 16th ILAB Breslauer Prize for Bibliography will be awarded in 2014 to one or more books about books published in any language and in any part of the world between 2009 and 2012. Publishers, librarians, collectors, antiquarian booksellers and all book lovers are very welcome to submit books to the prize until the end of April 2013 by sending a single copy to the Prize Secretary.

Support scholarship! Submit books to the most prestigious prize until April 2013!

The World’s Expert Antiquarian Booksellers - In 1 Book!

The new edition of the ILAB Directory contains all names, addresses and specialities of the ILAB dealers who are organized in 22 national associations and who are located in 32 countries all over the world. Have a look!

“Book collecting is and almost always has been a vibrant, exciting and engaging pastime"

"It’s our job to make others understand that.” An interview with ILAB President Tom Congalton about his career, his favourite books, Between the Covers, collecting, ILAB and the future of the trade. Read it!

ILAB Booksellers on Video

"A wonderful snapshot of the rich history of both the ABAA and the rare book trade" - ILAB is proud to present the video archive project by Michael Ginsberg and Taylor Bowie. Recently added: interviews with two amazing ladies: Marguerite Goldschmidt and Florence Shay.

"Out of the classroom and into the world" - ILAB Internships

ILAB has launched an internship program for young antiquarian book dealers. Alena Lavrenova, Anastasya Zhikhareva, and other young antiquarian booksellers from Russia, spent several weeks in Austria, Hungary, Germany, Netherlands, Australia and the United States. Read their exciting reports and join our new Facebook Group!

The World's Best Booksellers Met in Switzerland

From 22 to 26 September the presidents of 22 national antiquarian booksellers' associations and rare book dealers from all over the world met for their 40th Congress in Lucerne. Besides the meetings and elections on Saturday, Sunday and Tuesday, they climbed high mountains and dark caves and visited Switzerland's most outstanding museums and private collections. Read the online diary!

Old and Rare Books. From ILAB: the one stop FREE App for all lovers of rare books

The International League of Antiquarian Booksellers (ILAB)  has launched an ILAB Moile App which is now available in the Apple Store and the Android Market. Search for “ILAB rare books” or “International League of Antiquarian Booksellers” to find the free App ready to install on your phone.

GlossaryGlossary terms

• As usual, Browning, Chambre Professionelle Belge de la Librairie Ancienne et Moderne / Belgische Beroepskamer van Antiquaren (CLAM/BBA), Embossed, Gauffered edges, Parchment, Spine, Tidemark, Typescript

CataloguesBook Catalogues

• Catalogue 162: Holiday List 2012

  

  Bookseller: Ars Libri Ltd.

  Specialties: Architecture, Art, Artists' Books, Avant Garde, Illustrated books

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Book FairsRare Books - Next Fairs

• London Map Fair

  08 Jun 2013 - 09 Jun 2013

  

  The largest Antique Map Fair in Europe, established 1980, brings together around 40 of the leading national and international antiquarian map dealers as well as hundreds of visiting dealers,...

  [+] More

• Bloomsbury Summer Book Fair

  09 Jun 2013

  

  Dealers from the UK and abroad offer fine bindings, antiquarian, illustrated books, travel, modern firsts, children’s books, maps, prints, and ephemera.

  [+] More

BooksellersAntiquarian Booksellers

• villa browna | livres anciens

  

  Paris - FRANCE

  Specialties: Equestrian, Gastronomy, General Stock, Hunting, Illustrated books, Literature

  Most recent catalogue:

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Rare Book Gallery

• The Catcher In The Rye

  Salinger, J.D

  Bookseller: Raptis Rare Books, ABAA/ ILAB

  
  Boston: Little Brown, 1951.. First edition of the author's first book. Octavo, original black cloth. Inscribed by the author, "To Leonard Brooks... More
  Boston: Little Brown, 1951.. First edition of the author's first book. Octavo, original black cloth. Inscribed by the author, "To Leonard Brooks with best wishes J.D. Salinger Aug. 14, 1951". Lightly rubbed, spine gilt nice and bright, a near fine copy in a bright near fine dust jacket with some toning to the spine and some minor rubbing. The publication date for The Catcher in the Rye was July 16, 1951, this copy was signed less than a month after its release. Salinger's signature is scarce and signed copies of Catcher in the Rye are rare; signed firsts are exceptionally scarce. Until Salinger died in 2010, we had not seen a signed first printing of The Catcher in the Rye since the Phoenix Book Shop sold one from Howard Moss's library in 1984 -- a span of more than a quarter century. Full provenance will be provided. Housed in a custom quarter morocco box. Less
  
  

  Buy from:	Biblio

  Price: 150000.00 USD

• AN INQUIRY INTO THE NATURE AND CAUSES OF THE WEALTH OF NATIONS

  SMITH, Adam

  Bookseller: Charles Agvent

  
  London W. Strahan & T. Cadell 1778 Two large quarto volumes (8.5" x 10.6875"); [8], 510; [8], 589, [1] pages. Complete with half-title in... More
  London W. Strahan & T. Cadell 1778 Two large quarto volumes (8.5" x 10.6875"); [8], 510; [8], 589, [1] pages. Complete with half-title in Volume II (no half-title called for in Volume I). Contemporary calf, rebacked, with original gilt spines and morocco labels laid down. Corners renewed. First published in 1776, this Second Edition is scarcer than the first with only 500 copies printed and is the only other edition published in quarto format. "The second edition exhibits a number of alterations large and small, some providing new information, some correcting matters of fact, some perfecting the idiom, and a large number now documenting references in footnotes" (William B. Todd, in the 1976 Oxford edition of THE WEALTH OF NATIONS). Adam Smith (1723-1790) spent ten years in the writing and perfecting of THE WEALTH OF NATIONS. The book succeeded at once, and the first edition was exhausted in six months. Goldsmith 11663; Grolier, 100 English, 57; KressB 154; PRINTING AND THE MIND OF MAN 221: "The certainty of its criticism and its grasp of human nature have made it the first and greatest classic of modern economic thought." Armorial bookplate of Gorham Parsons on the front pastedown of each volume. Some foxing and browning, heavier in the first volume which has the front free endpaper and the title strengthened at inner and outer margins. Occasional slight offsetting to the text in the second volume which has the final gathering strengthened in the gutter. Very Good set in a contemporary binding Less
  
  

  Buy from:	Direct From Bookseller

  Price: 75000.00 USD

• British Salmonidae. 2

  JARDINE BART.t., SIR W. - [ONE OF THE FINEST BOOKS ON FISH EVER PRODUCED]

  Bookseller: Lynge & Søn A/S

  
  (Edinburgh, 1839-41). Elephant-folio. In the two original half-calf-folders with green leather-spines and pattern-stamped cloth boards; gilt title... More
  (Edinburgh, 1839-41). Elephant-folio. In the two original half-calf-folders with green leather-spines and pattern-stamped cloth boards; gilt title and author to front boards. Remains of the original green cloth-ties. Some wear to spines, especially at capitals. 12 Less
  
  

  Buy from:	antikvariat.net

  Price: 500000.00 DKK

• An album of original watercolour drawings of tulips on vellum

  GREIN (artist, Dutch/Flemish school, 17th century)

  Bookseller: Donald Heald Rare Books

  
  [Holland: seventeenth century]. Folio. (12 1/2 x 8 inches). 48 watercolours of tulips on vellum, interleaved with plain paper with horn and crown... More
  [Holland: seventeenth century]. Folio. (12 1/2 x 8 inches). 48 watercolours of tulips on vellum, interleaved with plain paper with horn and crown watermark, each watercolour titled in ink below image, the first watercolour signed "Grein" at the lower right. Contemporary vellum over pasteboard, contained in a modern dark green morocco box, the covers with gilt-ruled borders, the spine in six compartments with raised bands, lettered in the second, the others with elaborate repeat pattern made up from flower-sprays and various small tools. A spectacular album containing finely-executed images on vellum of all the greatest 17th century varieties of tulips: a landmark in the history of botanical art in the Low Countries, and a unique record of the bulbs that inspired the speculative financial-madness called Tulipomania. The tulip, introduced to Europe in the middle of the sixteenth century from the Ottoman Empire, experienced a strong growth in popularity boosted by competition among the wealthy for possession of the rarest varieties. The tulip rapidly became a coveted luxury item, appearing in main-stream art as a symbol of wealth and as a decorative motif on ceramics and textiles. Special varieties were given exotic names or named after popular figures of the time: generals, admirals, etc. The most spectacular and highly sought-after tulips were the so-called "broken" varieties. These had two or more vivid colours: often a base colour of white or cream with red lines, or flames to the petals. The present album is devoted exclusively to these most expensive varieties. Tulipomania eventually reached a level where fantastic, unsustainable prices were being paid for individual bulbs. In 1637, the bubble burst and the over-heated market collapsed. For some years after this, the tulip's popularity remained at a low level but by the time the present album was produced its unique beauty was beginning once again to be appreciated. Tulip albums were produced for two principle reasons. First, as a selling tool for the bulb dealers: accurate images of what the bulbs they were offering were going to look like were obviously vital and the high prices of the tulipomania era set a precedent of employing artists of a very high quality to record the colours and details of the bulbs. These albums are almost exclusively made up of drawings on paper. One of the best known examples of this type of album is probably the 1637 tulip book of P. Cos, a nurseryman from Haarlem, Holland (now in the collection of the Wageningen Universiteit en Researchcentrum). Second, albums were produced as a collective record of the ephemeral beauty of the blooms grown by individuals, either professional growers or wealthy amateurs. The present album probably falls into this latter category: the original presentation of this album is on a much more luxurious scale than trade albums. The most obvious sign of this is the fact that each of the drawings is on vellum. Vellum, especially the prepared vellum used for the present album, was an expensive luxury material and an indicator that the drawings were commissioned by a wealthy individual (in France, for instance, King Louis XIV had all his botanical drawings executed on vellum: the so-called "velins du Roi"). Tulip albums, whatever their origin, are now very rare: according to Sam Segal (a world-renowned expert on tulips and the author of "Tulips in Visual Art",) there are now only about 50 of these albums extant. This includes albums with drawings on paper and also 18th century albums; thus, the actual number of seventeenth century albums with drawings on vellum is almost certainly no more than a handful. Most albums are in institutional collections, so the present album may well be the final example offered on the open market. Sam Segal offered the following information about the present album: the artist "Grein" is an unrecorded artist, but his name "is a Dutch name known since the early seventeenth century." The paper used for the interleaves is watermarked with a horn and crown, similar to paper known to have been made in Amsterdam and Leiden from 1665. The tulip types are from this period as well, before a relative great change in form and size during the eighteenth century. The flowers themselves carry names that "are known from the 1630s and 1640s, the period of and directly after the tulipomania ...they include the very expensive types of that period, like the 'Semper Augustus' and 'Viceroy.' As in many tulip books meant as a catalogue of a seller of bulbs, the illustrations show many related types. That might mean that they are tulips from one nursery or one collection from which the owner gave an order to the artist to paint his collection. The names of some of the tulips could point to a possible commissioner of the album, like 'General Doriszlav' and 'Grootvorst van Moscovicz.'" Dash,Tulipomania , London, 1999; Goldgar,Tulipomania , Chicago, 2007; Pavord,The Tulip,London, 1999; van der Goes (editor) Tulipomanie, Zwolle/Dresden, 2004; Wijnands,Tulips portrayed, Wageningen, 1987. Less
  
  

  Buy from:	Biblio

  Price: 225000.00 USD