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ILAB-Antiquare:
Childs Gallery Limited (UNITED STATES OF AMERICA)
Artikel:
2728

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Howlett, D. Roger, (b. 1945)

William Partridge Burpee: American Marine Impressionist

Boston Copley Square Press 1991 1st Edition. Oblong Quarto. Cloth in dust jacket. 96pp 61 color and20 black and white illustrations; Decorated endpapers; Foreword by William H. Gerdts; (Chronology); (Bibliography); (Index). Mint condition with mint dust jacket in original shipping carton.

Howlett, D. Roger, (b. 1945)

Gertrude Beals Bourne: Artist in Brahmin Boston

Boston Copley Square Press 2004 1st Edition. Oblong Quarto. Soft Cover 144pp 104 color and 9 black and white illustrations; Foreword by Patricia Hills; (Chronology); (Bibliography); (Index). Mint condition.

Howlett, D. Roger, (b. 1945)

Gertrude Beals Bourne: Artist in Brahmin Boston

Boston Copley Square Press 2004 1st Edition. Oblong Quarto. Soft Cover 144pp 104 color and 9 black and white illustrations; Foreword by Patricia Hills; (Chronology); (Bibliography); (Index). Mint condition.

Howlett, D. Roger, (b. 1945)

William Partridge Burpee: American Marine Impressionist

Boston Copley Square Press 1991 1st Edition. Oblong Quarto. Paperback. 96pp 61 color and 20 black and white illustrations; Foreword by William H. Gerdts; (Chronology); (Bibliography); (Index). Mint condition.

Gärtner

[Woman with Cap and Roses]

Signed lower left: GÄRTNER". In fine condition. 9 1/4 X 7 inches Signed lower left

Wölfle, Franz Xavier, German (1887-1972)

[Man with Covered Pipe in Red Vest and White Shirt]

Signed upper right: "FX Wölfle." In fine condition. 7 X 5 3/8 inches Signed upper right

Schröpler, German?

Rast an der landstrasse [Rest stop on the country road]

Signed lower left: "G [?] Schröpler / Mchn"; inscribed verso: "Rast an der landstrasse." In fine condition. 6 1/4 X 8 1/8 inches Signed lower left

Gruber

[Bavarian Peasant with Pipe]

Signed lower left: GRUBER". In fine condition. 8 1/2 X 6 3/8 inches Signed lower left

Gruber

[Monk with Wine Glass]

Signed lower right: GRUBER". In fine condition. 8 1/4 X 6 3/8 inches Signed lower right

Gruber

[Bavarian Man with Pipe and Feather in Cap]

Signed lower right: "GRUBER". In fine condition 8 1/4 X 6 3/8 inches Signed lower right

Gärtner

[Bavarian Man with Stein]

Signed lower right: "Gärtner". In fine condition. 10 X 8 inches Signed lower right

Kramer, Jack, American (1923-1983)

The Letter By Lamplight

20 X 20 inches from the estate of the artist

Kramer, Jack, American (1923-1983)

The Guitar Player II

"Guitar Player I" is dated 1962. 32 X 24 inches from the estate of the artist

Kramer, Jack, American (1923-1983)

[Balcony]

12 X 9 inches from the estate of the artist

Kramer, Jack, American (1923-1983)

[Butterfly Chair]

Signed and dated in pencil lower left,"Jack Kramer / 1966". From the estate of the artist. In fine condition. 17 3/4 X 20 inches Signed in pencil

Kramer, Jack, American (1923-1983)

Backview

Signed and titled in pencil lower right,"Jack Kramer/Backview". From the estate of the artist. In fine condition. 22 X 15 inches Signed in pencil

Kramer, Jack, American (1923-1983)

Two Backs

Signed in pencil lower right: "Kramer", and titled. Verso: female study in pencil. In fine condition. From the estate of the artist. 15 X 22 inches Signed in pencil

Kramer, Jack, American (1923-1983)

[Life Drawing Class]

Verso: Female Study in pencil. In fine condition aside from nicks along the margins, and paper lossin right corner, not extending to image. 15 X 22 inches From the estate of the artist

Kramer, Jack, American (1923-1983)

Guitar Player I

Inscribed on canvas verso: "GUITAR PLAYER I 1962". From the estate of the artist. 24 X 32 inches

Kramer, Jack, American (1923-1983)

Piper and Figures

From the estate of the artist. 23 X 28 inches

Whistler, James A.M., American (1834-1903)

Drury Lane Rags [London, England]

Chicago 25, State i/I. Way 21, Levy 34. Watermark 245 "Pro Patria," one of 47 posthumous impressions by Goulding May 26, 1904 (14 lifetime impressions by Way). Watermark identical to a print in the collection of the Hunterian Art Gallery at the University of Glasgow.signature in butterfly, lower right in facade. A fine impression in fine condition with full margins. 5 7/8 X 6 3/8 inches signed in the stone

Whistler, James A.M., American (1834-1903)

Conversation under the Statue, Luxembourg Gardens [Paris, France]

AIC 69, Way 44, Levy 71. Watermark 219 (Chicago), one of 55 impressions printed by Goulding March 28, 1904 (26 lifetime impressions by Way). Signed in butterfly lower right. A fine impression in fine condition with full margins. 6 3/4 X 6 inches signed in the stone

Talcott, Dudley Vaill, American (1899-1986)

[Cat Curled Up]

As the artist himself suggested, these small sculptures can act as both "paperweights par excellence" and "superb weapons of self defense." Talcott intended them "to feel of as well as to look at, to turn over in one's hands like a smooth stone picked up on a beach."Dudley Vaill Talcott had the great fortune to be born into an artistic and encouraging family and thus was free to pursue his artistic endeavors without being forced to construct a more commercial career from his talents. The artist's formal training includes a year at Yale University and several courses at Académie de la Grande Chaumière in Paris. In 1925 Talcott began traveling on and off for six years, most notably to Norway and Greenland; these travels inspired the artist to write and illustrate two related books, Noravind and Report of the Company. After his travels, Talcott began to exhibit his work: at the Museum of Modern Art in 1930, the Whitney Museum of American Art in 1938, the Worcester Museum of Art in 1941, and the 1932 Olympic International Competition and Exhibition, where his sculpture The Wrestler received an honorable mention. Talcott also received several important commissions throughout his career, including a group of bas relief panels for the 1939 New York World's Fair, colored windows constructed from fiberglass laminate displayed in seven Pennsylvania public schools, a sculpture honoring the 500th birthday of Copernicus erected in Philadelphia, and several commissions for private collections. After the 1939 World's Fair, Talcott began to move away from traditional styles and materials and began to move toward more modern styles and materials. He built a body of work in a style of industrial modernism that incorporated industrial design, cubism, streamlining, modernism, and what is now referred to as Art Deco. 2 1/2 X 4 X 3 inches

Talcott, Dudley Vaill, American (1899-1986)

[Cat at an Angle]

As the artist himself suggested, these small sculptures can act as both "paperweights par excellence" and "superb weapons of self defense." Talcott intended them "to feel of as well as to look at, to turn over in one's hands like a smooth stone picked up on a beach."Dudley Vaill Talcott had the great fortune to be born into an artistic and encouraging family and thus was free to pursue his artistic endeavors without being forced to construct a more commercial career from his talents. The artist's formal training includes a year at Yale University and several courses at Académie de la Grande Chaumière in Paris. In 1925 Talcott began traveling on and off for six years, most notably to Norway and Greenland; these travels inspired the artist to write and illustrate two related books, Noravind and Report of the Company. After his travels, Talcott began to exhibit his work: at the Museum of Modern Art in 1930, the Whitney Museum of American Art in 1938, the Worcester Museum of Art in 1941, and the 1932 Olympic International Competition and Exhibition, where his sculpture The Wrestler received an honorable mention. Talcott also received several important commissions throughout his career, including a group of bas relief panels for the 1939 New York World's Fair, colored windows constructed from fiberglass laminate displayed in seven Pennsylvania public schools, a sculpture honoring the 500th birthday of Copernicus erected in Philadelphia, and several commissions for private collections. After the 1939 World's Fair, Talcott began to move away from traditional styles and materials and began to move toward more modern styles and materials. He built a body of work in a style of industrial modernism that incorporated industrial design, cubism, streamlining, modernism, and what is now referred to as Art Deco. 4 X 4 X 1 1/2 inches

Talcott, Dudley Vaill, American (1899-1986)

[Cat Crouching]

As the artist himself suggested, these small sculptures can act as both "paperweights par excellence" and "superb weapons of self defense." Talcott intended them "to feel of as well as to look at, to turn over in one's hands like a smooth stone picked up on a beach."Dudley Vaill Talcott had the great fortune to be born into an artistic and encouraging family and thus was free to pursue his artistic endeavors without being forced to construct a more commercial career from his talents. The artist's formal training includes a year at Yale University and several courses at Académie de la Grande Chaumière in Paris. In 1925 Talcott began traveling on and off for six years, most notably to Norway and Greenland; these travels inspired the artist to write and illustrate two related books, Noravind and Report of the Company. After his travels, Talcott began to exhibit his work: at the Museum of Modern Art in 1930, the Whitney Museum of American Art in 1938, the Worcester Museum of Art in 1941, and the 1932 Olympic International Competition and Exhibition, where his sculpture The Wrestler received an honorable mention. Talcott also received several important commissions throughout his career, including a group of bas relief panels for the 1939 New York World's Fair, colored windows constructed from fiberglass laminate displayed in seven Pennsylvania public schools, a sculpture honoring the 500th birthday of Copernicus erected in Philadelphia, and several commissions for private collections. After the 1939 World's Fair, Talcott began to move away from traditional styles and materials and began to move toward more modern styles and materials. He built a body of work in a style of industrial modernism that incorporated industrial design, cubism, streamlining, modernism, and what is now referred to as Art Deco. 2 1/2 X 6 X 2 inches

 
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