New York: Charles Scribners. 1925.. First edition, first printing with "chatter" on p. 60, line 16, "northern" on p. 119, line 22, "it's" on p.... More

New York: Charles Scribners. 1925.. First edition, first printing with "chatter" on p. 60, line 16, "northern" on p. 119, line 22, "it's" on p. 165, line 16, "away" on p. 165, line 29, "sick in tired" on p. 205, lines 9-10, and "Union Street station" on p. 211, lines 7-8. Octavo, original dark green cloth. A very fine copy in a very good first issue dust jacket, with lowercase "j" in "jay Gatsby" on the back panel, hand-corrected in ink. The dust jacket has had some restoration to the folds, tape removed and some tears repaired that include expert recoloring to portions to the upper and lower spine. An excellent copy, extremely rare in the original dust jacket. The dust jacket is not only one of the most recognizable and iconic book covers of the twentieth century, but it is also one of the most rare. The cover art was entitled "Celestial Eyes" and was designed by artist Francis Cugat, who was not well-known at the time. Fitzgerald, however, fell in love with the design and actually wrote a number of things into the novel to relate it to the proposed cover. Housed in a custom quarter morocco box.. Less

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Landschut: Joannem Weyssenburger, [1521].. [8]pp. Woodcut map on titlepage. Small quarto. Modern three-quarter vellum and marbled boards, leather... More

Landschut: Joannem Weyssenburger, [1521].. [8]pp. Woodcut map on titlepage. Small quarto. Modern three-quarter vellum and marbled boards, leather label on cover. Very good. In a red half morocco and cloth slipcase. First edition of geographer Peter Apianus' first printed work, describing a large world map of which no copy has survived. The ellipsoidal map herein described is thought to have been based on the great Waldseem?r map of 1507, the first world map to use the term "America." Published about four years before his COSMOGRAPHICUS LIBER (which passed through thirty-five editions in the 16th century), the ISAGOGE is divided into twelve "Propositiones" showing how to use the map. Many of the comments and instructions in this guide are intended to explain the use of the map for astronomical and calendrical calculations. In his preface, he mentions his "Cosmography," which was not published until 1524, and which still stands as a foundational work on the subject. The preliminary section of the ISAGOGE was reissued in part in his DECLARATIO ET USUS TYPE COSMOGRAPHICI at Regensburg, probably the next year. "Harrisse, who knew this 'rare pamphlet' only in the copy in the Bibliotheque Nationale, Paris, believed that it could not describe the 1520 map and argued ingeniously that the 1520 map was published at the expense of Luc Alantse, whereas the ISAGOGE was dedicated to the Duke of Saxony. Ducal patronage would almost certainly supersede that of a private citizen. The James Ford Bell catalogue dates the ISAGOGE to 1520. Weyssenberger was the publisher of both the ISAGOGE and the COSMOGRAPHICUS LIBER. The map described in the ISAGOGE, although no copy is known, is a landmark in the history of the geography of the New World and this pamphlet describing it is an Americanum of the greatest rarity and cartographical significance" - Nebenzahl. Apianus was a Professor of Mathematics in Vienna, as well as a mapmaker, writer, and leading authority on cosmography - a subject encompassing astronomy, geography, and cartography. The woodcut map on the title of the ISAGOGE shows Europe, Asia and Africa, with Venice, Portugal, and "Callicut" (i.e. Kozhikode) identified. Very rare in the market, with only three copies traced for sale in the last century. EUROPEAN AMERICANA 521/2. BELL CATALOGUE A-280. VAN ORTROY, BIBLIOGRAPHIE DE L'OEUVRE DE PIERRE APIAN 10. HARRISSE, HISTORY OF AMERICA, p.534. BAGROW, HISTORY OF CARTOGRAPHY, p.130. STILLWELL I:22. NEBENZAHL CATALOGUE 12:9. LeCLERC 31. SHIRLEY, MAPPING OF THE WORLD 45 (ref). Less

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1737 Regensburg, H. Lentzen [vol 4: H.G. Neubauer], 1737-45. 4 volumes and 1 index volume. Folio (382 x 250mm). With four engraved titles in red... More

1737 Regensburg, H. Lentzen [vol 4: H.G. Neubauer], 1737-45. 4 volumes and 1 index volume. Folio (382 x 250mm). With four engraved titles in red and black, one mezzotint frontispiece and two mezzotint portraits, and 1025 (a few double-page) engraved plates, some in mezzotint, the etched plates hand-coloured, the mezzotints printed in colours and finished by hand. Contemporary uniform calf, richly gilt decorated spines in 7 compartments with red gilt lettered label, sides with gilt ornamented border and gilt corner pieces. First edition. A very fine copy bound in a very attractive contemporary German binding. Described by the Hunt catalogue as the first botanical book to utilise colour-printed mezzotint successfully. It also contains Georg Dionysus Ehret's first published botanical illustrations (although unsigned). Ehret served his apprenticeship as a botanical draughtsman under Weinmann who exploited him mercilessly, paying him a pittance for several hundred drawings he did for the 'Phythanthoza'. This led to a falling out between the two, which is perhaps why Ehret is nowhere acknowledged in the book. His drawings were engraved by Bartholom Less

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