London: Taylor & Francis for Henry Sotheran & Co, 1891-98. 2 volumes in 8 original parts, large folio. (22 3/16 x 15 1/16 inches). Smaller...
MoreLondon: Taylor & Francis for Henry Sotheran & Co, 1891-98. 2 volumes in 8 original parts, large folio. (22 3/16 x 15 1/16 inches). Smaller format letterpress "Notice to Subscribers" tipped in at front of part VI, smaller format "Completion of the work" notice from the publishers tipped in at front of part VIII. 79 fine hand-coloured lithographic plates by William Mathew Hart, after his own drawings (52) and John Gould (20) or John Gerrard Keulemans (7), 13 uncoloured illustrations. Original pictorial grey paper-covered boards, dark blue cloth spines, the upper cover of each part with the letterpress title beneath a large wood-engraved title vignette, the eight parts contained in two dark green morocco-backed cloth boxes, the spines in six compartments with raised bands, lettered in the second and third compartments, the others with repeat decoration in gilt made up from various small tools. A very fine copy of this, the first monograph devoted to these remarkable birds and the "last of the fine bird books" (Fine Bird Books p.107). This copy, in original parts, with the best colouring of any copy that we have handled in past forty years. The remarkable-looking Birds of Paradise have captivated western science since Magellan first brought back a skin of such a creature in 1522. The skins, highly prized by East Indian natives, was given by the ruler of Batchian (in the Mollucas) as a gift to the King of Spain. The legs and wings of the bird, however, had been removed when skinned, presumably to better show its impressive plumage. When asked why the bird had no wings or feet, the natives replied that none were needed as the bird simply floated in its heavenly paradise. Thus, the earliest descriptions of the species, and indeed even its scientific naming by Linnaeus in the 18th century as Paradisaea apoda (legless bird of paradise), perpetuated that myth. Due to the remote nature of their rain forest habitat in New Guinea, it was not until the mid-19th century that these remarkable birds were first scientifically observed and accurately described. Gould had intended to publish a the first monograph devoted to the birds of paradise following completion of his Birds of New Guinea, but he did not live to do so. When Sharpe took over the task of completing that work, he appealed for subscribers for the proposed monograph. The response was clearly enthusiastic as within three years the first part of the present work was published. Some of the plates had previously appeared in Gould's Birds of New Guinea as "Messrs. Sotheran purchased the stock of Gould's works after his death [and] acquired the stones with which he had intended to illustrate his Monograph... Many of them were broken or otherwise damaged, and of these some have been redrawn or replaced by new plates by Mr. Hart. Since Gould's time, however, many marvelous new species have been discovered, and these have been described and figured in the present work" (Appendix). As the small format slip in part six makes clear, the timing of the publication of the work could not have been better, as so many beautiful new species were discovered whilst the work was in preparation that Sharpe felt justified in extending the size of the work from six to eight parts. Copies of this work were issued at a later date with inferior hand-colouring. The quality of the colouring of the plates in the present copy is outstanding, and it is only with examples of this work in the original parts that the colouring can be guaranteed to be contemporary with the original publication dates. Copies such as the present example are very rare: only three are listed as having sold at auction in the past thirty years. Fine Bird Books (1990) p.107; Nissen IVB 581; Ripley 263; Wood, p.565; Zimmer, p.581.
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