1737 Regensburg, H. Lentzen [vol 4: H.G. Neubauer], 1737-45. 4 volumes and 1 index volume. Folio (382 x 250mm). With four engraved titles in red... More

1737 Regensburg, H. Lentzen [vol 4: H.G. Neubauer], 1737-45. 4 volumes and 1 index volume. Folio (382 x 250mm). With four engraved titles in red and black, one mezzotint frontispiece and two mezzotint portraits, and 1025 (a few double-page) engraved plates, some in mezzotint, the etched plates hand-coloured, the mezzotints printed in colours and finished by hand. Contemporary uniform calf, richly gilt decorated spines in 7 compartments with red gilt lettered label, sides with gilt ornamented border and gilt corner pieces. First edition. A very fine copy bound in a very attractive contemporary German binding. Described by the Hunt catalogue as the first botanical book to utilise colour-printed mezzotint successfully. It also contains Georg Dionysus Ehret's first published botanical illustrations (although unsigned). Ehret served his apprenticeship as a botanical draughtsman under Weinmann who exploited him mercilessly, paying him a pittance for several hundred drawings he did for the 'Phythanthoza'. This led to a falling out between the two, which is perhaps why Ehret is nowhere acknowledged in the book. His drawings were engraved by Bartholom Less

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Amsterodami (Amsterdam), Iodocus Hondius, 1613. Folio (48

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With elaborate double-page engraved frontispiece, hand painted floral paste-downs, hand-painted maps. Calf with blue edges and gilded spine and... More

With elaborate double-page engraved frontispiece, hand painted floral paste-downs, hand-painted maps. Calf with blue edges and gilded spine and borders on covers. First edition of Zatta’s masterpiece of the eighteenth century, the most important world atlas of the period. All maps are hand-coloured, with each title in a decorative cartouche surrounded by the architecture, animals, and landscape one was thought to encounter in that particular environment. All known areas of the world are documented, along with celestial maps, diagrams of the universe, ancient empires, and a plethora of maps concentrated on the countries and provinces of Europe. Also included is Zatta’s celebrated version of “Le Colonie Unite delle America Settentrie” based on Mitchell’s map of America (1775). Many of the maps in this section were engraved during the Revolution, and include vignettes which reference military and naval engagements, along with other political and economic information. Another particularly important map is “La Nuova Zelanda,” which was one of the first published versions of Cook’s chart of New Zealand. Zatta (1757-1797) was the most prominent Italian map publisher of the late eighteenth century. Based in Venice, his maps marked a transition from eighteenth to nineteenth century cartographic styles. He updated and redefined the traditional title cartouche by replacing the mythic elements common to the earlier styles with more representative images. His maps contain magnificent details while striving for accuracy. In addition, Zatta’s published works were renown for their high artistic qualities and modern colours, especially the fresh tones of his pinks, greens and yellows. This atlas is considered his magnum opus, though he also produced a number of Italian classics. It is extremely rare to find this atlas complete. Bossi (1788-1870) was a friend and defender of Italian revolutionaries, including Federico Confalonieri (1785-1846). He took refuge in Switzerland after his exile from Milan following the 1821 Piedmont revolt against the Austrians. Less

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