Lima: Francisco del Canto, 1617.. [16],799,[45]pp. Small quarto. Later vellum with pigskin ties, manuscript title on spine, brand on top edge.... More

Lima: Francisco del Canto, 1617.. [16],799,[45]pp. Small quarto. Later vellum with pigskin ties, manuscript title on spine, brand on top edge. Modern bookplate on front pastedown. Internally clean. Near fine. In a cardboard slipcase. First edition of the "first American work with substantial portions devoted to law of the sea and customs regulating sea-borne commerce" (JCB Maritime Books 459). A general encyclopedia of legal knowledge concerning trade by land and sea, it was drawn up for the use of merchants, agents, navigators, lawyers and consuls. It was reprinted nine times in Spain in the 17th century and fifteen more times in the 18th century. By the nature of its subject, it clearly was an important and heavily used reference, and consequently has become rare, especially in fine condition. This is the first major work on commerce, banking, and trade published in the New World, and stands among a mere handful of books to be first printed in the Americas and then exported to Spain. At the time of publication there were only three presses in the New World, in Mexico City, Puebla, and in Lima. The book's printer, Francesco del Canto, was the successor to Peru's first printer, Antonio Ricardo, who began printing in South America in 1585. This is the most extensive work published in South America up to the time, and surpassed only by a few works published in Mexico in all of the New World. A very rare work, with only two copies traced at auction in at least 100 years. Not in HAS, Salva, Kress or Sabin. A lovely copy of an early Lima imprint and an Americanum of surpassing importance. MEDINA (LIMA) 73. PALAU 114526. Less

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New York: Printed and sold by John and Andrew M'Lean, 1788. 2 volumes, 12mo. (6 1/8 x 3 3/4 inches). vi, 227; vi, 384pp. Expertly bound to style in... More

New York: Printed and sold by John and Andrew M'Lean, 1788. 2 volumes, 12mo. (6 1/8 x 3 3/4 inches). vi, 227; vi, 384pp. Expertly bound to style in contemporary tree calf, the covers with a neo-classical Greek-key roll- tool border, the flat spine tooled in gilt, divided into six compartments with a Greek-key roll, lettered in the second compartment, numbered in the fourth, the others with an elegant repeat pattern in gilt, both contained within a recent black morocco box, spine gilt. Rare first edition of the most important work of American political thought ever written and according to Thomas Jefferson "the best commentary on the principles of government." The first edition of The Federalist comprises the first collected printing of the 85 seminal essays written in defense of the newly-drafted Constitution. The essays were first issued individually by Alexander Hamilton, James Madison and John Jay in New York newspapers under the pseudonym 'Publius' to garner support for the ratification of the Constitution. This first collected edition was published in early 1788: volume I published in March, contains the first 36 numbers, volume II published in May, includes the remaining 49, together with the text of the Constitution. Upon its publication, George Washington noted to Alexander Hamilton that the work "will merit the Notice of Posterity; because in it are candidly and ably discussed the principles of freedom and the topics of government, which will always be interesting to mankind" (George Washington, letter to Hamilton, 28 August 1788). The genesis of this "classic exposition of the principles of republican government" (R.B. Bernstein, Are We to be a Nation? The Making of the Constitution, 1987, p.242) is to be found in the "great national discussion" which took place about the ratification of the Constitution, and the necessity of answering the salvos in print from the Anti-Federalists and other opponents of a strong Federal government. The original plan was that James Madison and John Jay were to help Hamilton write a series of essays explaining the merits of their system, whilst also rebutting the arguments of its detractors. "Hamilton wrote the first piece in October 1787 on a sloop returning from Albany...He finished many pieces while the printer waited in a hall for the completed copy" (R. Brookhiser Alexander Hamilton: American, 1999, pp.68-69). In the end, well over half of the 85 essays were written by Hamilton alone. Despite the intense time pressures under which the series was written "what began as a propaganda tract, aimed only at winning the election for delegates to New York's state ratifying convention, evolved into the classic commentary upon the American Federal system" (F. McDonald Alexander Hamilton: A Biography, p.107). The Federalist is without question the most important commentary on the Constitution, the most significant American contribution to political theory and among the most important of all American books. Church 1230; Cohen 2818; Evans 21127; Ford 17; Grolier American 100, 19; Howes H114, "c"; Printing and the Mind of Man 234; Sabin 23979; Streeter Sale 1049. Less

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New York: Charles Scribners. 1925.. First edition, first printing with "chatter" on p. 60, line 16, "northern" on p. 119, line 22, "it's" on p.... More

New York: Charles Scribners. 1925.. First edition, first printing with "chatter" on p. 60, line 16, "northern" on p. 119, line 22, "it's" on p. 165, line 16, "away" on p. 165, line 29, "sick in tired" on p. 205, lines 9-10, and "Union Street station" on p. 211, lines 7-8. Octavo, original dark green cloth. A very fine copy in a very good first issue dust jacket, with lowercase "j" in "jay Gatsby" on the back panel, hand-corrected in ink. The dust jacket has had some restoration to the folds, tape removed and some tears repaired that include expert recoloring to portions to the upper and lower spine. An excellent copy, extremely rare in the original dust jacket. The dust jacket is not only one of the most recognizable and iconic book covers of the twentieth century, but it is also one of the most rare. The cover art was entitled "Celestial Eyes" and was designed by artist Francis Cugat, who was not well-known at the time. Fitzgerald, however, fell in love with the design and actually wrote a number of things into the novel to relate it to the proposed cover. Housed in a custom quarter morocco box.. Less

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