Galerie de livres rares
[Opera, in Greek, edited by Demetrius...
Libraire: Peter Harrington
Florence: Demetrius Damilas [in the shop of the Printer of Vergilius (C 6061)] for Bernardo and Nero De' Nerli and Giovanni Acciaiuoli, 9 December... Ouvrir
Florence: Demetrius Damilas [in the shop of the Printer of Vergilius (C 6061)] for Bernardo and Nero De' Nerli and Giovanni Acciaiuoli, 9 December 1488 [not before 13 January , 1488/89]. 2 volumes, Median folio (332 ?238 mm). Lately rebound to style using 18th-century brown morocco, spine decorated in blind with urn and lyre devices etc in compartments between five raised bands, sides panelled in blind with matching tools and floral devices within a latticework central panel, based on a Florentine binding executed in 1504 (illustrated in Tammaro de Marinis, La Legatura Artistica, Florence 1960). 439 leaves (of 440, lacking final blank), 39 lines, Greek letter, 2- and 10-line initial spaces. Ex-libris University of Lyon, with stamp Acad. Lugd. and release stamp dated 1843 on the first leaf; later in the libraries of Constantine Radoulesco and H. Bradley Martin (Sotheby's New York, 14 June 1990, lot 3355). Unrubricated, occasional marginalia in an attractive contemporary cursive hand; a good clean copy. Editio princeps of the writings attributed to Homer, including the Iliad and the Odyssey, two of the earliest, most important and influential works of European literature. "The Iliad and the Odyssey are the first perfect poetry of the western world. They spring fully grown, their predecessors lost, and the magic has persisted ever since. The legends of the siege of Troy and the return of Odysseus are the common heritage of all … The form, the action and the words have had incalculable influence on the form, action and words of poetry ever since; the composition of the Aeneid, the Divine Comedy, Paradise Lost, and many others, has been determined by the Iliad and the Odyssey. Their popularity never diminishes" (PMM). The editor Demetrius Chalcondylas was professor of Greek at the Florentine Studio from 1475 until 1491. The type is that of Demetrius Damilas, a scribe who had previously been active in the printing of Greek books in Milan since 1476. It was based on the handwriting of Michael Apostolis, which was simpler and more distinct than Damilas's own elegant but elaborate hand. This monumental printing is the first large-scale printing in Greek, and also probably the first Greek book printed in Florence. (The rare Erotemata by Emanuel Chrysoloras, which survives in only two copies, was printed in Florence either in 1475 or c. 1488-94.) The text of Homer was not printed again in Greek until Aldus's octavo edition of 1504, which was based directly on Chalcondylas's text. The Batrachomyomachia ("Battle of the Frogs and Mice"), a pseudo-Homeric text, which is also included here with the Iliad, Odyssey and Homeric Hymns, had been earlier printed in an unsigned Greek-Latin edition printed perhaps at Brescia or Ferrara, which is known only from the unique copy in the John Rylands University Library, Manchester. Despite the lengthy and circumstantial colophon, bibliographers have had trouble in agreeing on the correct imprint and date. Robert Proctor (The Printing of Greek in the Fifteenth Century, 1900, p. 66 sqq.) argued that the edition was actually printed in the shop of Bartolommeo di Libri, whose type was used to print the dedication to Piero de' Medici on the first page. BMC assigned the edition rather to the Nerli brothers, but Roberto Ridolfi (La stampa a Firenze nel secolo XV, 1958, p. 95 sqq.) has pointed out that the Nerli were well-born and wealthy Florentines whose role would have been a purely financial one. He has instead assigned the Homer to the anonymous Florentine shop, the Printer of Virgil (Copinger 6061, Goff V183), which flourished from 1488 to 1490 or so. Ridolfi supposes that only the first, dedication page was printed in di Libri's shop, more than a month after the completion of the edition proper, this page hitherto having been planned as a blank. Fermer
Prix: 282975.00 USD
[GUTENBERG BIBLE]. A noble fragment :...
GUTENBERG, Johannes (c. 1398 - 1468)
Libraire: Douglas Stewart Fine Books
With a bibliographical essay by A. Edward Newton. New York : Gabriel Wells, 1921. Designed by Bruce Rogers and printed by William Edwin Rudge.... Ouvrir
With a bibliographical essay by A. Edward Newton. New York : Gabriel Wells, 1921. Designed by Bruce Rogers and printed by William Edwin Rudge. Folio, full black blindstamped gilt-lettered morocco by Stikeman & Co. (corners a little rubbed, a few mm loss to foot of spine), gilt dentelles,  pp. preliminary text, with an original leaf of the Gutenberg Bible tipped-in. The leaf measures 388 x 287 mm. printed on recto and verso, black gothic lettering of forty-two lines in double columns, rubricated in red, with headlines, chapter numbers, and large initial letters in red and blue, being three two-line initials (two 'E's' and one 'P'), three Roman numeral verse numbers, and the headline. A very good example with wide margins, some minor foxing, the ink black and crisp. The text is the Vulgate Latin text of Jeremiah Chapters 15 and 16 in their entirety, with the closing ten lines of Chapter 14 and first eight lines of Chapter 17. "Then said the LORD unto me, Though Moses and Samuel stood before me, yet my mind could not be toward this people: cast them out of my sight, and let them go forth." A LEAF FROM THE FIRST WESTERN BOOK PRINTED BY MOVABLE TYPE. "Its printers were competing in the market hitherto supplied by the producers of high-class manuscripts. The design of the book and the layout of the book were therefore based on the book-hand and manuscript design of the day, and a very high standard of press-work was required--and obtained--to enable the new mechanical product to compete successfully with its hand-produced rivals. Standards were set in quality of paper and blackness of ink, in design and professional skill, which the printers of later generations have found difficult to maintain." (Printing and the Mind of Man). Only forty-eight copies of the Bible are known, most of which are incomplete. The provenance of this leaf is the imperfect Mannheim-Zouch-Sabin copy, divided into leaves and sections by New York bookseller Gabriel Wells nearly a century ago. The Gutenberg Bible, the first complete book printed in Western culture using the radical technology of movable pieces of type, is perhaps the most famous and important book in the world. Complete examples are now rarely procurable in the marketplace, yet a single leaf, extracted from an incomplete copy of the Bible by New York dealer Gabriel Wells in 1921, captivates the imagination when one contemplates the impact this revolution of the Renaissance had on humanity. Printing and the Mind of Man 1. Exhibited: 'The Mirror of the World', State Library of Victoria, Melbourne, Australia, October 2009 - October 2011, alternating on view with the example of The Noble Fragment held in that institution's collection. Fermer
Prix: 85000.00 AUD
THE FEDERALIST: A COLLECTION OF...
Hamilton, Alexander; James Madison; and John Jay:
Libraire: William Reese Company - Americana
New York: Printed and sold by John and Andrew M'Lean, 1788.. Two volumes bound in one. vi,227; vi,384pp. 12mo. Contemporary sheep, spine with plain... Ouvrir
New York: Printed and sold by John and Andrew M'Lean, 1788.. Two volumes bound in one. vi,227; vi,384pp. 12mo. Contemporary sheep, spine with plain gilt rules. Expertly rebacked, with original spine laid down, boards somewhat rubbed. Light foxing and toning. Pencil notes on free endpapers. Small tear in pp.49/50 with no loss. Overall very good, with the bookplate of F. Olcott. In a half morocco and cloth clamshell box with chemise. The rare first edition of the most important work of American political thought ever written and, according to Thomas Jefferson, "the best commentary on the principles of government." The first edition of THE FEDERALIST comprises the first collected printing of the eighty-five seminal essays written in defense of the newly-drafted Constitution. The essays were first issued individually by Alexander Hamilton, James Madison, and John Jay in New York newspapers under the pseudonym Publius to garner support for the ratification of the Constitution. The first thirty-six numbers of THE FEDERALIST were here published in book form in March 1788, with the remaining forty- nine, together with the text of the Constitution, in May of that year. Upon its publication, George Washington noted to Alexander Hamilton that the work "will merit the Notice of Posterity; because in it are candidly and ably discussed the principles of freedom and the topics of government, which will always be interesting to mankind" (George Washington, letter to Hamilton, August 28, 1788). The genesis of this "classic exposition of the principles of republican government" (Bernstein) is to be found in the "great national discussion" which took place about the ratification of the Constitution, and the necessity of answering the salvos in print from the Anti- Federalists and other opponents of a strong federal government. The original plan was that James Madison and John Jay were to help Hamilton write a series of essays explaining the merits of their system, whilst also rebutting the arguments of its detractors. "Hamilton wrote the first piece in October 1787 on a sloop returning from Albany...He finished many pieces while the printer waited in a hall for the completed copy" - Brookhiser. In the end, well over half of the eighty- five essays were written by Hamilton alone. Despite the intense time pressures under which the series was written "what began as a propaganda tract, aimed only at winning the election for delegates to New York's state ratifying convention, evolved into the classic commentary upon the American Federal system" - McDonald. THE FEDERALIST is without question the most important commentary on the Constitution, the most significant American contribution to political theory and among the most important of all American books. EVANS 21127. GROLIER AMERICAN 100, 19. STREETER SALE 1049. CHURCH 1230. HOWES H114, "c." COHEN 2818. SABIN 23979. FORD 17. PRINTING AND THE MIND OF MAN 234. R.B. Bernstein, ARE WE TO BE A NATION? THE MAKING OF THE CONSTITUTION (1987), p.242. R. Brookhiser, ALEXANDER HAMILTON: AMERICAN (1999), pp.68- 69. F. McDonald, ALEXANDER HAMILTON: A BIOGRAPHY, p.107. Fermer
Prix: 185000.00 USD