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New Englands Prospect. A true lively,...
WOOD, William (1580-1639)
Libraire: Donald Heald Rare Books
London: Printed by Tho. Cotes for Iohn Bellamie, 1635. Small quarto. (7 1/16 x 5 1/2 inches). 1 folding woodcut and letterpress map. (Map close... Ouvrir
London: Printed by Tho. Cotes for Iohn Bellamie, 1635. Small quarto. (7 1/16 x 5 1/2 inches). 1 folding woodcut and letterpress map. (Map close shaved to margins with two old neat repairs to verso, upper margins shaved touching headlines and occasional page number, neatly repaired wormtrack through outer blank margins of title and text leaves to C4). Twentieth century crimson morocco gilt bound for Myers & Co. of London, spine in three compartments with raised bands, lettered in gilt in the second compartment, gilt turn-ins. Black morocco backed slipcase. The rare second edition of Wood's 'New England's Prospect', with the very rare map: one of the classic works on early New England, important for descriptions of the land, natives, and of course its handsome map. The first edition of this remarkably accurate work was published in 1634. According to Vail it includes the earliest topographical description of the Massachusetts colony. It is also the first detailed account of the animals and plants of New England, as well as the Indian tribes of the region. Of particular note is a chapter describing the customs and work of Indian women. Part One is divided into twelve chapters and is devoted to the climate, landscape, and early settlements, and describes in some detail the native trees, plants, fish game and mineral ores, as well as including advice to those thinking of crossing the Atlantic. The early settlements described include: Boston, Medford, Marblehead, Dorchester, Roxbury, Medford, Watertown, New and Old Plymouth. These chapters also include four charming verses which are essentially a series of lists naming the native trees (20 lines, starting 'Trees both in hills and plaines, in plenty be, /The long liv'd Oake, and mournfull Cyprus tree/ ... '), the animals (12 lines, starting 'The kingly Lyon, and the strong arm'd Beare, / The large lim'd Mooses, with the tripping Deare, / ...'), the birds (28 lines, starting 'The Princely Eagle, and the soaring Hawke, / Whom in their unknowne wayes there's none can chawke: / The Humberd for some Queenes rich Cage more fit, / Than in the vacant Wildernesse to sit, / ... '), and the inhabitants of the seas and rivers (28 lines, starting 'The king of waters, the Sea shouldering Whale, / ... '). The chapter on the birds also includes what are clearly eye-witness descriptions of a number of birds including the Humming-Bird and the Passenger Pigeon. Part Two is devoted to the native inhabitants, and is divided into twenty chapters. The tribes described are the 'Mohawks', 'Connectecuts,' 'Pequants and Narragansetts.' Again Wood goes into some detail describing the clothing, sports, wars, games, methods of hunting and fishing, their arts, and ending with their language: the work ends with a five-page vocabulary of Indian words, one of the earliest published for New England. The map, which is often lacking, is here in a crisp, clean example. It is one of the most important early New England maps. It shows most of the New England coast north of Narragansett Bay. Philip Burden praises the map: `Although simply made, this map is of greater accuracy than any before it. Covering the area from the Pascataque River, in present day New Hampshire, to Narragansett Bay, it is, however, the Massachusetts Bay area that is shown with the most detail ...Wood's map was not improved upon until the John Foster map in 1677.' `Little is known of the author. The dedication to Sir William Armine, Bart., of Lincolnshire, may indicate that Wood was also from there. He was resident in New England, perhaps primarily in Lynn, from 1629 to 1633, when he returned to London to publish his book. He may have returned to New England afterward. The General Court of Massachusetts Bay voted thanks to him on the appearance of New England's Prospect. The exceptional charm and vivacity of Wood's writing, including flights of verse, is widely acknowledged.' (Siebert Sale). Burden 239 (map, state 2); Church 433; European Americana 635/134; JCB (3)II:258; Pilling Algonquin p.535; Pilling Proof-Sheets 4199; Sabin 105075; Siebert Sale 96; STC 25958; Vail 89 Fermer
Prix: 75000.00 USD
[Opera, in Greek, edited by Demetrius...
Libraire: Peter Harrington
Florence: Demetrius Damilas [in the shop of the Printer of Vergilius (C 6061)] for Bernardo and Nero De' Nerli and Giovanni Acciaiuoli, 9 December... Ouvrir
Florence: Demetrius Damilas [in the shop of the Printer of Vergilius (C 6061)] for Bernardo and Nero De' Nerli and Giovanni Acciaiuoli, 9 December 1488 [not before 13 January , 1488/89]. 2 volumes, Median folio (332 ?238 mm). Lately rebound to style using 18th-century brown morocco, spine decorated in blind with urn and lyre devices etc in compartments between five raised bands, sides panelled in blind with matching tools and floral devices within a latticework central panel, based on a Florentine binding executed in 1504 (illustrated in Tammaro de Marinis, La Legatura Artistica, Florence 1960). 439 leaves (of 440, lacking final blank), 39 lines, Greek letter, 2- and 10-line initial spaces. Ex-libris University of Lyon, with stamp Acad. Lugd. and release stamp dated 1843 on the first leaf; later in the libraries of Constantine Radoulesco and H. Bradley Martin (Sotheby's New York, 14 June 1990, lot 3355). Unrubricated, occasional marginalia in an attractive contemporary cursive hand; a good clean copy. Editio princeps of the writings attributed to Homer, including the Iliad and the Odyssey, two of the earliest, most important and influential works of European literature. "The Iliad and the Odyssey are the first perfect poetry of the western world. They spring fully grown, their predecessors lost, and the magic has persisted ever since. The legends of the siege of Troy and the return of Odysseus are the common heritage of all … The form, the action and the words have had incalculable influence on the form, action and words of poetry ever since; the composition of the Aeneid, the Divine Comedy, Paradise Lost, and many others, has been determined by the Iliad and the Odyssey. Their popularity never diminishes" (PMM). The editor Demetrius Chalcondylas was professor of Greek at the Florentine Studio from 1475 until 1491. The type is that of Demetrius Damilas, a scribe who had previously been active in the printing of Greek books in Milan since 1476. It was based on the handwriting of Michael Apostolis, which was simpler and more distinct than Damilas's own elegant but elaborate hand. This monumental printing is the first large-scale printing in Greek, and also probably the first Greek book printed in Florence. (The rare Erotemata by Emanuel Chrysoloras, which survives in only two copies, was printed in Florence either in 1475 or c. 1488-94.) The text of Homer was not printed again in Greek until Aldus's octavo edition of 1504, which was based directly on Chalcondylas's text. The Batrachomyomachia ("Battle of the Frogs and Mice"), a pseudo-Homeric text, which is also included here with the Iliad, Odyssey and Homeric Hymns, had been earlier printed in an unsigned Greek-Latin edition printed perhaps at Brescia or Ferrara, which is known only from the unique copy in the John Rylands University Library, Manchester. Despite the lengthy and circumstantial colophon, bibliographers have had trouble in agreeing on the correct imprint and date. Robert Proctor (The Printing of Greek in the Fifteenth Century, 1900, p. 66 sqq.) argued that the edition was actually printed in the shop of Bartolommeo di Libri, whose type was used to print the dedication to Piero de' Medici on the first page. BMC assigned the edition rather to the Nerli brothers, but Roberto Ridolfi (La stampa a Firenze nel secolo XV, 1958, p. 95 sqq.) has pointed out that the Nerli were well-born and wealthy Florentines whose role would have been a purely financial one. He has instead assigned the Homer to the anonymous Florentine shop, the Printer of Virgil (Copinger 6061, Goff V183), which flourished from 1488 to 1490 or so. Ridolfi supposes that only the first, dedication page was printed in di Libri's shop, more than a month after the completion of the edition proper, this page hitherto having been planned as a blank. Fermer
Prix: 282975.00 USD
Harmonices Mundi Libri V
Libraire: Jonathan A. Hill, Bookseller, Inc.
Five engraved plates & numerous woodcut diagrams & illus. in the text. 4 p.l., 66 (i.e. 64), 255 pp. Folio, cont. vellum over boards... Ouvrir
Five engraved plates & numerous woodcut diagrams & illus. in the text. 4 p.l., 66 (i.e. 64), 255 pp. Folio, cont. vellum over boards (binding a little warped, bottom corner of lower cover a little worn, occasional browning but rather less than usual), ties gone. Linz: J. Planck for G. Tampach, 1619. First edition, first issue, and a fine copy of this great book. Copies of the first issue are distinctly rare. This epochal work contains Kepler's discovery of the third law of planetary motion. Kepler regarded this work as his crowning achievement in elucidating the harmonic regularities of the universe. It was Kepler's three laws which formed the basis of Newton's principle of universal gravitation. "In the Mysterium cosmographicum the young Kepler had been satisfied with the rather approximate planetary spacings predicted by his nested polyhedrons and spheres; now [in 1619], imbued with a new respect for data, he could no longer dismiss its 5 percent error. In the astronomical book V of the Harmonice mundi, he came to grips with this central problem: By what secondary principles did God adjust the original archetypal model based on the regular solids?... "In the course of this investigation, Kepler hit upon the relation now called his third or harmonic law: The ratio that exists between the periodic times of any two planets is precisely the ratio of the 3/2 power of the mean distances...the law gave him great pleasure, for it so neatly linked the planetary distances with their velocities or periods, thus fortifying the a priori premises of the Mysterium and the Harmonice."-D.S.B., VII, pp. 301-02. An attractive copy in a contemporary binding. Two cm. strip at head of title clipped away and renewed at an early date, small rectangle (2.5 x 1.5 cm.) of blank portion of title renewed at a more recent date, and two small burn holes in title caused by an ink inscription. Several early inscriptions on title including: "auctori damnari et operis cum expurgat neo permissi." ❧ Caspar 58. Dibner, Heralds of Science, 6. Gingerich, Rara Astronomica, 33. Horblit 58. Printing & the Mind of Man 112. Sparrow, Milestones of Science, 115. . Fermer
Prix: 235000.00 USD