Galerie de livres rares
ITINERARIO, VOYAGE OFTE...
Linschoten, Jan Huygen van:
Libraire: William Reese Company - Americana
Amsterdam: Cornelis Claesz, 1596 - 1595 - 1596.. Three parts bound in one volume (parts two and three bound in reverse order in this copy). Text in... Ouvrir
Amsterdam: Cornelis Claesz, 1596 - 1595 - 1596.. Three parts bound in one volume (parts two and three bound in reverse order in this copy). Text in double columns. ,160; 134,,135-147,; 82,pp. plus a total of six folding or double-page maps, thirty- six folding or double-page plates, and a single-page portrait of Linschoten. Folio. Contemporary vellum, elaborately tooled in gilt, spine with gilt compartments, silk ties, yapp edges. Recased, with new endpapers. Maps and folding plates with some occasional slight chipping or splits at folds, repaired on versos in some cases. Occasional tanning or foxing. Overall, a handsome copy, brilliantly colored. In a chemise and half morocco and cloth slipcase, spine gilt. A remarkable copy of the first edition of the most important description of the East Indies in the Age of Discovery, with beautiful early hand-coloring and in a handsome contemporary vellum binding, likely a special presentation copy. Linschoten's work was of tremendous importance, as it unlocked the secrets of Asian trade routes, once the exclusive domain of the Portuguese, for the rest of Europe Jan Huygen van Linschoten (1563-1611) a Dutchman born in Haarlem in 1563, had an "avaricious thirst for knowledge which enabled him to get detailed information of land and sea as far afield as the Spice Islands and China" (Penrose). Linschoten travelled to Goa in 1583 as a clerk of the newly- appointed Portuguese Archbishop of Goa. He made a few trips into India, compiling notes on his experiences, gleaned information on sea routes from Portuguese sailors, and collected information from other sources as well. Linschoten left India in 1589, hired as a pepper factor for the Fugger and Welser interests, where he learned about the organization and administration of the spice trade. Returning to Holland in 1592 (after a two-year stay in the Azores), he prepared his notes for the Amsterdam publisher, Claeszoon, in response to interest in the Netherlands and other European countries about commercial possibilities in Asia. As trade in the Far East was dependent on routes via America or Africa, his work eventually encompassed the entire globe, including Spanish and Portuguese activities in America. Linschoten's practical experience lent authenticity to his work, and it remains one of the most important of all travel books. Linschoten's ITINERARIO... and the two other works published in 1595 and 1596 (which should properly be found together, as here) soon was considered the single most significant source regarding the East and West Indies and numerous editions were published in Dutch, Latin, French, German, and English. Klooster describes the work as "a magnificent panorama of pictures and maps of the non-European world. ITINERARIO contained so much detailed and accurate information about shipping lanes, winds, and currents, that seafarers could use it virtually as a handbook. Many of his maps were in fact copies of the excellent models of the Portuguese cartographer Fern?Vaz Dourado." It was the most comprehensive account of the East and West Indies available at the beginning of the 17th century. As well as including important travel accounts taken from contemporary Portuguese, Dutch, and Spanish sources, it is the first work to include precise sailing instructions for the Indies, and, according to Church (and other authorities), "it was given to each ship sailing from Holland to India." The second section, REYS-GHESCHRIFT VANDE NAVIGATIEN..., was published in 1595, a year before the ITINERARIO..., and is bound last in this copy. The text gives detailed sailing directions for the East Indies, as well as for Brazil and the West Indies. The third part (bound second in this copy) gives an account of America on pages 17-82, especially the coastal regions, and includes information on the African coast as well. It is found here in its first state (see Church), and was published in 1596. The maps include van Langren's maps of the East Indies and South America (including the Caribbean and Florida), and the double- hemispherical world map of Plancius dated 1596 (Shirley 192). The marvellous plates include scenes of Asia, particularly Java, China, and India. Several of the plates depict activities in Goa, including a wonderful panoramic view of the market, while other plates depict Portuguese travellers on land and on sea. Linschoten's is an important work that served not only as a valuable record, but also as a catalyst for change in the balance of power amongst European trading nations in the east: "the navigator's vade mecum for the Eastern seas" (Penrose). When Linschoten returned from Goa to his home in the Netherlands, he did so at a time when the people of northern Europe and particularly his countrymen were especially interested in what he had to report concerning the trading activities of the Portuguese in the East. His most important and far- reaching observations concerned the gradual decline of Portuguese power in the East and her ability to protect her trade routes and monopolies. This, together with the trading possibilities he detailed, encouraged a series of Dutch, French, and English fleets to set sail for the Spice Islands, and beyond to China and Japan. Lach says that Linschoten's description of Goa is "one of the most original and reliable narratives prepared during the sixteenth century on life at the hub of Portugal's Eastern empire and still is regarded as one of the best sources for Goa's history at the peak of its glory....The original edition...contains a number of excellent maps, three of which are of great value for the study of Asia. These maps, which are much better and more detailed than earlier printed maps, were clearly derived from the latest and best Portuguese charts of the Eastern oceans and sea coasts" - Lach. Parry calls Linschoten's work "a journal of human adventure and observation, an uplifting story that appeals on many levels." "Fine copies of this work with all the maps and plates are extremely rare" - Church catalogue. A work of tremendous consequence and importance, here in a handsome copy with lovely contemporary hand- coloring. EUROPEAN AMERICANA 596/63 & 596/64. JCB I, pp.343-345. SHIRLEY 192, 182. SABIN 41356. TIELE 84-87. KLOOSTER, DUTCH IN THE AMERICAS, p.8 & catalogue item 5. David E. Parry, THE CARTOGRAPHY OF THE EAST INDIAN ISLANDS, p.84-85. CHURCH 252. HOWGEGO L131. BORBA DE MORAES, pp.486-487. WAGNER, NORTHWEST COAST 184. Lach, ASIA IN THE MAKING OF EUROPE, volume 1, pp.198-204 & 482-489. Fermer
Prix: 275000.00 USD
An album of original watercolour...
GREIN (artist, Dutch/Flemish school, 17th century)
Libraire: Donald Heald Rare Books
[Holland: seventeenth century]. Folio. (12 1/2 x 8 inches). 48 watercolours of tulips on vellum, interleaved with plain paper with horn and crown... Ouvrir
[Holland: seventeenth century]. Folio. (12 1/2 x 8 inches). 48 watercolours of tulips on vellum, interleaved with plain paper with horn and crown watermark, each watercolour titled in ink below image, the first watercolour signed "Grein" at the lower right. Contemporary vellum over pasteboard, contained in a modern dark green morocco box, the covers with gilt-ruled borders, the spine in six compartments with raised bands, lettered in the second, the others with elaborate repeat pattern made up from flower-sprays and various small tools. A spectacular album containing finely-executed images on vellum of all the greatest 17th century varieties of tulips: a landmark in the history of botanical art in the Low Countries, and a unique record of the bulbs that inspired the speculative financial-madness called Tulipomania. The tulip, introduced to Europe in the middle of the sixteenth century from the Ottoman Empire, experienced a strong growth in popularity boosted by competition among the wealthy for possession of the rarest varieties. The tulip rapidly became a coveted luxury item, appearing in main-stream art as a symbol of wealth and as a decorative motif on ceramics and textiles. Special varieties were given exotic names or named after popular figures of the time: generals, admirals, etc. The most spectacular and highly sought-after tulips were the so-called "broken" varieties. These had two or more vivid colours: often a base colour of white or cream with red lines, or flames to the petals. The present album is devoted exclusively to these most expensive varieties. Tulipomania eventually reached a level where fantastic, unsustainable prices were being paid for individual bulbs. In 1637, the bubble burst and the over-heated market collapsed. For some years after this, the tulip's popularity remained at a low level but by the time the present album was produced its unique beauty was beginning once again to be appreciated. Tulip albums were produced for two principle reasons. First, as a selling tool for the bulb dealers: accurate images of what the bulbs they were offering were going to look like were obviously vital and the high prices of the tulipomania era set a precedent of employing artists of a very high quality to record the colours and details of the bulbs. These albums are almost exclusively made up of drawings on paper. One of the best known examples of this type of album is probably the 1637 tulip book of P. Cos, a nurseryman from Haarlem, Holland (now in the collection of the Wageningen Universiteit en Researchcentrum). Second, albums were produced as a collective record of the ephemeral beauty of the blooms grown by individuals, either professional growers or wealthy amateurs. The present album probably falls into this latter category: the original presentation of this album is on a much more luxurious scale than trade albums. The most obvious sign of this is the fact that each of the drawings is on vellum. Vellum, especially the prepared vellum used for the present album, was an expensive luxury material and an indicator that the drawings were commissioned by a wealthy individual (in France, for instance, King Louis XIV had all his botanical drawings executed on vellum: the so-called "velins du Roi"). Tulip albums, whatever their origin, are now very rare: according to Sam Segal (a world-renowned expert on tulips and the author of "Tulips in Visual Art",) there are now only about 50 of these albums extant. This includes albums with drawings on paper and also 18th century albums; thus, the actual number of seventeenth century albums with drawings on vellum is almost certainly no more than a handful. Most albums are in institutional collections, so the present album may well be the final example offered on the open market. Sam Segal offered the following information about the present album: the artist "Grein" is an unrecorded artist, but his name "is a Dutch name known since the early seventeenth century." The paper used for the interleaves is watermarked with a horn and crown, similar to paper known to have been made in Amsterdam and Leiden from 1665. The tulip types are from this period as well, before a relative great change in form and size during the eighteenth century. The flowers themselves carry names that "are known from the 1630s and 1640s, the period of and directly after the tulipomania ...they include the very expensive types of that period, like the 'Semper Augustus' and 'Viceroy.' As in many tulip books meant as a catalogue of a seller of bulbs, the illustrations show many related types. That might mean that they are tulips from one nursery or one collection from which the owner gave an order to the artist to paint his collection. The names of some of the tulips could point to a possible commissioner of the album, like 'General Doriszlav' and 'Grootvorst van Moscovicz.'" Dash,Tulipomania , London, 1999; Goldgar,Tulipomania , Chicago, 2007; Pavord,The Tulip,London, 1999; van der Goes (editor) Tulipomanie, Zwolle/Dresden, 2004; Wijnands,Tulips portrayed, Wageningen, 1987. Fermer
Prix: 225000.00 USD
ISAGOGE IN TYPUM COSMOGRAPHICUM SEU...
Libraire: William Reese Company - Americana
Landschut: Joannem Weyssenburger, .. pp. Woodcut map on titlepage. Small quarto. Modern three-quarter vellum and marbled boards, leather... Ouvrir
Landschut: Joannem Weyssenburger, .. pp. Woodcut map on titlepage. Small quarto. Modern three-quarter vellum and marbled boards, leather label on cover. Very good. In a red half morocco and cloth slipcase. First edition of geographer Peter Apianus' first printed work, describing a large world map of which no copy has survived. The ellipsoidal map herein described is thought to have been based on the great Waldseem?r map of 1507, the first world map to use the term "America." Published about four years before his COSMOGRAPHICUS LIBER (which passed through thirty-five editions in the 16th century), the ISAGOGE is divided into twelve "Propositiones" showing how to use the map. Many of the comments and instructions in this guide are intended to explain the use of the map for astronomical and calendrical calculations. In his preface, he mentions his "Cosmography," which was not published until 1524, and which still stands as a foundational work on the subject. The preliminary section of the ISAGOGE was reissued in part in his DECLARATIO ET USUS TYPE COSMOGRAPHICI at Regensburg, probably the next year. "Harrisse, who knew this 'rare pamphlet' only in the copy in the Bibliotheque Nationale, Paris, believed that it could not describe the 1520 map and argued ingeniously that the 1520 map was published at the expense of Luc Alantse, whereas the ISAGOGE was dedicated to the Duke of Saxony. Ducal patronage would almost certainly supersede that of a private citizen. The James Ford Bell catalogue dates the ISAGOGE to 1520. Weyssenberger was the publisher of both the ISAGOGE and the COSMOGRAPHICUS LIBER. The map described in the ISAGOGE, although no copy is known, is a landmark in the history of the geography of the New World and this pamphlet describing it is an Americanum of the greatest rarity and cartographical significance" - Nebenzahl. Apianus was a Professor of Mathematics in Vienna, as well as a mapmaker, writer, and leading authority on cosmography - a subject encompassing astronomy, geography, and cartography. The woodcut map on the title of the ISAGOGE shows Europe, Asia and Africa, with Venice, Portugal, and "Callicut" (i.e. Kozhikode) identified. Very rare in the market, with only three copies traced for sale in the last century. EUROPEAN AMERICANA 521/2. BELL CATALOGUE A-280. VAN ORTROY, BIBLIOGRAPHIE DE L'OEUVRE DE PIERRE APIAN 10. HARRISSE, HISTORY OF AMERICA, p.534. BAGROW, HISTORY OF CARTOGRAPHY, p.130. STILLWELL I:22. NEBENZAHL CATALOGUE 12:9. LeCLERC 31. SHIRLEY, MAPPING OF THE WORLD 45 (ref). Fermer
Prix: 85000.00 USD