Philadelphia. 1759.. Engraved map on six sheets, joined as three. Sheet size: 3 sheets, each approximately 31 x 21 1/2 inches. Excellent condition,... Ouvrir

Philadelphia. 1759.. Engraved map on six sheets, joined as three. Sheet size: 3 sheets, each approximately 31 x 21 1/2 inches. Excellent condition, with three short repaired tears, very minor age toning at the sheet edges, overall in remarkable unsophisticated condition. Provenance: Laird U. Park (Sotheby's New York, Nov. 29, 2000, lot 322). The first map of Pennsylvania to be published in America. Scull (1687-1761) was born in Philadelphia and is thought to have been apprenticed at a young age to William Penn's surveyor, Thomas Holme. In 1719 he became deputy surveyor of Philadelphia County, eventually ascending to the surveyor generalship of Pennsylvania in 1748. An original member of Benjamin Franklins Junto, Scull was intimately involved with Indian relations of the period, having travelled amongst the tribes surveying the western counties. Siding with the Proprietors in his recollection of the Walking Purchase, at which he was present, no doubt held him in good standing with the Penn family. It is thought that this, in part, led to the publication of this impressive map. Dedicated to the Proprietors, it is among the largest and finest maps produced in America to that date. The map depicts Philadelphia, Bucks, Northampton, Berks, Chester, Lancaster, Cumberland, and York Counties, and is based on Sculls own surveys as well as the reports of Major Joseph Shippen, Colonel John Armstrong, John Watson, Benjamin Lightfoot, and others. In addition, some information was gleaned from printed sources, including Fry-Jefferson's important map, evidenced by a printed footnote on the map concerning the location of Fort Cumberland and the Maryland- Pennsylvania border. Elevation is accurately depicted, much in the style of Fry-Jefferson, by neat hachure marks. The eastern counties include a wealth of detail, such as churches, meeting houses, inns, iron forges, mills, and the manors of significant residents; roads, Indian paths, Indian towns, and forts are clearly shown throughout. Although generally quite accurate, it is curious that Scull included Fort Granville on his map, which had been destroyed by the French and Delaware Indians in 1756. Nevertheless, the importance and accuracy of this large-scale map is underscored by the fact that a copy of it was among the maps hung by the Board of War at Philadelphia in August 1776, twenty years after the map's publication (as listed by John Adams in his letter to his wife dated Aug. 13, 1776). The map was engraved by James Turner (d. 1759), a Philadelphia silversmith and prot? of Benjamin Franklin. Turner had previously worked on map engraving during the production of James Parker's 1747 maps of New Jersey, a project for which he had been recommended by Franklin. Little is known about the printer, John Davis. Although he had no shop, he appears to have specialized in large copperplate engravings of maps, as he is the printer identified in the imprint of the 1756 Philadelphia first edition of Joshua Fisher's important chart of Delaware Bay. That map and the present one are his only known works. Scull's 1759 map of Pennsylvania is very rare, with less than a dozen known institutional copies. Only a few have appeared at auction in the last half century, most notably in the sales of the collections of Thomas W. Streeter, Howard E. Welsh, and Laird U. Park (this copy). EBERSTADT 167:430 (quoting Wroth). EVANS 8489. Garrison, "Cartography of Pennsylvania before 1800" in PMHB, Vol. 59, no. 3. PHILLIPS, p.673. RISTOW, pp.52-53. STREETER SALE 965. WHEAT & BRUN 422. Fermer

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Frankfurt or Oppenheim: Theodor De Bry and his heirs (see below), 1590-1624.. Twelve parts bound in twelve volumes (see below for collations).... Ouvrir

Frankfurt or Oppenheim: Theodor De Bry and his heirs (see below), 1590-1624.. Twelve parts bound in twelve volumes (see below for collations). Uniform modern dark blue straight-grained morocco gilt, covers with gilt border of double fillets and a decorative roll; spine in seven compartments with raised bands, lettered in gilt in the second, numbered in the fourth, the other compartments with repeat tooling in gilt, brown endpapers. Very good. The Great or American Voyages in Latin, Parts I-XII (of 13, and without the Elenchus), comprising: I. [Hariot, Thomas]: ADMIRANDA NARRATION FIDA TAMEN, DE COMMODIS ET INCOLARUM RITIBUS VIRGINIAE...ANGLICO SCRIPTA SERMONE A THOMA HARIOT. Frankfurt: Johann Wechel, 1590. First edition, mix issue but mostly first issue. Colophon leaf F6, blank D6. Engraved title to text, letterpress title to plates, engraved arms on dedication leaf, folding engraved map of Virginia, engraved plate of Adam and Eve (the second state with inscription in the plate reading "Iodocus a Winghe in Io. Theodore de Bry sc."), 28 very fine engraved plates after John White (including 5 plates of Picts). A foundation work on the early exploration and delineation of America, describing and illustrating the first British colony to be established there. This volume is the first issued by the publisher, Theodor De Bry, in his extraordinary series, GRAND VOYAGES, describing the exploration of the New World. The elegant production, combined with the critically important text, make this volume one of the most important relating to the early discovery of North America. This work recounts the history of the abortive Roanoke colony established by the British in North Carolina in 1585. Thomas Hariot's text, describing the country of Virginia and North Carolina, was first published in London in 1588 (only six copies are known) and here republished in Latin. Hariot, like the artist, John White, was part of the Roanoke expedition and wrote his account from actual observation. It is the first description of the Virginia and Carolina country. The map which accompanies the volume is the first really good map of the Virginia coast and Carolina capes, showing the coast from the mouth of the Chesapeake to Wilmington, North Carolina. John White's illustrations are among the most famous of early American images. White was the lieutenant-governor of the abortive colony, and a skilled artist. His carefully executed watercolors, gleaned from close observation and remarkably accurate renderings of the Carolina Indians and their customs, costumes, rituals, hunting practices and dwellings, are here expertly engraved by De Bry. No other artist so carefully rendered American Indians until Karl Bodmer worked on the Missouri in the 1830s. Besides these illustrations, there are plates showing White's conception of the ancient Picts of Scotland, to whom he wished to compare the American natives. A remarkably important Americanum. CHURCH 140. II. [Le Moyne, Jacques, and others]: BREVIS NARRATIO EORUM QUAE IN FLORIDA AMERICAE PROVINCIA GALLIS ACCIDERUNT...AUCTORE JACOBO LE MOYNE. Frankfurt: Johann Wechel, 1591. First edition. 2 engraved titles, engraved arms on dedication leaf, engraved text illustration of Noah sacrificing, double-page engraved map of Florida. Lacking blank leaf K6. A fine copy of this seminal work for early North America, with Jacques Le Moyne's spectacular series of images. Part II from Theodor De Bry's GRAND VOYAGES, this work collects together various accounts of the attempted settlement of Florida by French Protestants in the 1560s. The text is drawn from the accounts of Jean Ribaut, Ren?e Laudonni?, and Dominique de Gourgues; and describes the foundation of the colony in 1562 and its difficult existence until the massacre of the settlers by the Spanish in 1565. The chief glory of this work is the series of engravings after the watercolors of Jacques Le Moyne, depicting the life and ceremonies of the Florida Indians. As ethnographic documents, these are second only to those of John White, as records of American Indian life in the 16th century, and like White's work, these illustrations remained unrivalled until centuries later. Jacques Le Moyne de Morgues, was born in Dieppe, France in about 1533. He was appointed artist to the Huguenot expedition to Florida, led by Ren?e Laudonni?, which sailed in April 1564. Arguably the first western artist to visit the New World, French painter, Le Moyne recorded the scenery of Florida and the lives of the Timucua Indians in great detail, as well as charting the coastline of Florida. The French colony was seen as a threat by the Spanish, and in September 1565 they overran the colony, and most of Le Moyne's drawings were destroyed. However, he escaped, made copies from memory of what he had seen, and returned to France. By about 1580 he had settled in London, and he later came into contact with Sir Walter Raleigh and with John White, the artist of the first English colony of Virginia. The former commissioned him to illustrate the Florida enterprise, and Le Moyne went on to produce the images that were published by De Bry after Le Moyne's death in about 1588. CHURCH 145. III. [Staden, Hans, and Jean Lery]: AMERICAE TERTIA PARS MEMORABILEM PROVINCIAE BRASILIAE HISTORIAM CONTINENS GERMANICO PRIMUM SERMONE SCRIPTUM A IOANE STADIO. Frankfurt: Theodore de Bry, 1592. First edition, second issue with de Bry imprint. 2 engraved titles (the second title with imprint 'in officina Sigismundi Feirabendii'), engraved arms on dedication leaf, engraved plate of arms without virtues, folding engraved map of Peru and Brasil, full- page engraved text illustration of Adam and Eve (first state without 'Io.' in the inscription, see part I), 30 engraved text illustrations. Lacks final blank Qq4. A fine copy of a fundamental work on the history of Brazil, with an important map. The third part of De Bry's GRAND VOYAGES, this volume being devoted to the history of Brazil, and particularly the observations of Hans Staden and Jean Lery, the two most reliable 16th-century accounts of that country. Staden, a German sailor, describes his two voyages to Brazil in 1546-48 and 1549- 55, including his long captivity among the Tupinimba Indians. His account of the manners and customs of the Indians is one of the primary American ethnological documents, and its accompanying illustrations, although somewhat dressed up here by the engravers, provide an invaluable illustrated record with many useful clues to artifacts and rituals. Staden's work originally appeared in German in 1557, and the early editions are exceedingly rare. Jean Lery was a French missionary in Brazil in 1556-58, and he is credited by Levi-Strauss and others with being the most acute early observer of the Brazilian Indians. His work first appeared in 1578, and the Latin translation was probably prepared by him. Besides the Staden and Lery narratives, this volume prints two letters from Nicholas Barre, who was with the Villegagnon expedition in 1552. The map, titled AMERICAE PARS MAGIS COGNITA. CHOROGRAPHIA NOBILIS & OPULENTAE PERUANAE PROVINCIAE, ATQUE BRASILIAE... (Frankfurt: De Bry, 1692), is one of the most accurate maps of South America issued to date. Since De Bry was not a cartographer, this map was probably derived from an unknown manuscript map, though the northern portions (now the southern United States) come from Le Moyne. The modified lump swelling from Chile, which Ortelius had eliminated from his maps in 1587, is an odd inclusion. The map has a great deal of topographical detail, with suppositious jungles, rivers, and mountain ranges in the interiors of both continents, but some of the actual river systems are indicated. The map is elegantly engraved in an almost extravagant Ortelius mode, with elaborate strap-work decorated cartouches and swash lettering. The title is written on a banner and displayed by a cherub. A whale/fish with a dorsal fin spouts water, and a three-masted ship sails towards the Cape. CHURCH 149. IV. [Benzoni, Girolamo, first part]: AMERICAE PARS QUARTA SIVE, INSIGNIS & ADMIRANDA HISTORIA DE REPERTA PRIMUM OCCIDENTALI INDIA A CHRISTOPHORO COLUMBO ANNO MCCCCXCII SCRIPTA AB HIERONYMO BENZONO. Frankfurt: Ad invistiss. Rudolphus II..., 1594. First edition, with third issue title (Church 155) but plate points of both first and second editions. Blank leaf R6 present. 2 engraved titles, engraved text illustration of arms with virtues, double- page engraved map of West Indies, engraved text illustration of Columbus led by marine deities, engraved text illustration of world map with medallion portraits of Columbus and Vespucci, 24 engraved plates numbered in Arabic numerals within plates. Blank leaf F6 lacking. CHURCH 153. V. [Benzoni, Girolamo, part two]: AMERICAE PARS QUINTA, NOBILIS & ADMIRATIONE PLENA HIERONYMI BEZONI...SECUNAE SECTIONIS HI[STORI]A[E] HISPANORUM TUM IN NIGRITTAS SERVOS SUOS, TUM IN INDIAS CRUDELITATEM, GALLORUMQ[UE] PIRATARU[M] DE HISPANIS TOTIES REPORTATA SPOLIA. Frankfurt: Theodore de Bry, 1595. First edition, second issue with both corrections in title "Hia" and "Invictis." Blank leaves l3-4 and F4. 2 engraved titles, engraved portrait of Columbus with eleven lines of text, engraved double- page map of New Spain, 22 engraved plates. CHURCH 156 (note). VI. [Benzoni, Girolamo, part three]: AMERICAE PARS SEXTA, SIVE HISTORIAE AB HIERONYMO BE[N]ZONO...SCRIPTAE, SECTIO TERTIA. Frankfurt: Theodore de Bry, 1596. First edition. Blank leaf G6. 2 engraved titles, double-page engraved map of Western Hemisphere with figures of Columbus, Vespucci, Magellan and Pizarro, double-page engraved view Cusco, 28 engraved plates. CHURCH 158. Benzoni's work was first published in Italian at Venice in 1565. The chief glory of the De Bry edition are the extraordinary series of plates and maps with which De Bry illustrated the work, creating one of the most enduring collections of early images of the Western Hemisphere. The three parts that make up De Bry's rendition of Benzoni record the events surrounding Columbus discovery, relations with Native Americans, atrocities committed by Indians and Europeans, Pizarro's exploits in Peru, etc. Chauveton's anti-Spanish slant provided De Bry with the gory details of Spanish barbarity which are brought to life in the meticulous engravings that illustrate this volume. De Bry's sensationally illustrated edition of Benzoni has stood as a solid landmark of illustrated Americana, so much so that centuries later historians and editors have been compelled to copy the plates in new publications. Such scenes as Columbus' meeting with Ferdinand and Isabella, or the Spanish atrocities toward the Peruvian Indians, though not based on firsthand experience, have survived the centuries largely for their compelling visual rendition of events. These images have become history. Part one (Part IV of De Bry) includes a detailed and handsome folding map of the West Indies, "Occidentalis Americae partis...Anno MDXCIIII," which depicts the Caribbean and Gulf of Mexico from northern Florida to the South American coast. Part two (Part V of De Bry) contains a folding map of Mexico, "HISPANAE NOVAE SIVE MAGNAE, RECENS ET VERA DESCRIPTIO." Part three (Part VI of De Bry) contains an important and very beautifully illustrated map of the Western Hemisphere, "AMERICA SIVE NOVVS ORBIS RESPECTUEUROPAEORUM INFERIOR GLOBI TERRESTRIS PARS," which includes full-length figure portraits of Columbus, Vespucci, Magellan and Pizarro at the corners. This latter map shows the unknown "Terra Australis," as a huge conglomerate of land covering much of the southern part of the globe, and the Pacific coast of North America as a bulging mass not quite under control. A cornerstone history of early voyages of discovery, and one of the most wonderfully illustrated, whose early European depictions of America are among the most widely duplicated in history. VII. [Schmidel, Ulrich]: AMERICAE PARS VII. VERISSIMA ET IUCUNDISSIMA DESCRIPTIO PRAECIPUARUM QUARUNDAM INDIAE REGIONUM & INSULARUM. Frankfurt: Theodore de Bry, 1599. First edition. Blank leaf H4. Engraved title, engraved text illustration. The important early account of Latin America describing the voyages of Ulrich Schmidel to Brazil and Paraguay in 1535-53. The text was translated from Schmidel's NEUWE WELT, first published in Frankfurt in 1567. "Schmidel's account was included in many collections of voyages. Owing to his importance for the study of the history of the regions of Rio de la Plata and Southern Brazil several modern editions exist and there is a considerable amount of literature about him" - Borba de Moraes. A handsome copy of Part VII of De Bry's GRAND VOYAGES, with important Brazilian content. CHURCH 161. VIII. [Drake, Ffancis, Cavendish, Thomas, and Walter Raleigh]: AMERICAE PARS VIII. CONTINENS PRIMO, DESCRIPTIONEM TRIUM ITINERUM...FRANCISCI DRAKEN...SECUNDO...THOMAE CANDISCH...TERTIO...GUALTHERI RALEGH. Frankfurt: widow & sons of Theodore de Bry, 1599. First edition, second issue. e4 blank. Letterpress title to text with engraved vignette map of world showing Drakes circumnavigation, letterpress title to plates, double-page engraved map of Guiana with Latin and many German inscriptions, engraved map of the world on the verso of leaf KK4 showing Cavendish's circumnavigation, engraved map of North Atlantic on leaf Aa2, 18 plates. This volume contains relations of six different voyages, by Drake, Cavendish, and Raleigh, with a map and illustrations never before published. These accounts describe Drake's famous circumnavigation of the world and Caribbean raids, Cavendish's circumnavigation, and the famous search for El Dorado. The three voyages of Sir Francis Drake recounted here are of the greatest importance. The first is a description of the famous voyage of circumnavigation of 1577- 80, only described in print up to that time by Hakluyt, here based on the account of Nuno da Silva. Drake's Caribbean raid of 1585-86 is also reported, based on the account of Walter Bigges, as well as the final voyage of 1595-96, directed against the Spanish at Panama. This is the first extensive account of the last voyage, during which Drake died off Panama, and it is evidently based directly on his log, continued by others after his death. Besides these texts, the titlepage of the volume has an extraordinary double hemisphere world map, showing the track of Drake's circumnavigation with an inset portrait of Drake. Illustrations relating to Drake include engravings of his landing on the coast of Patagonia and his reception by California Indians during the circumnavigation voyage, as well as engravings after Boazio showing his captures of Santiago, Santo Domingo, Cartagena, and St. Augustine during the 1855-86 Caribbean raid. The St. Augustine view is the earliest view of any North American town. Sir Thomas Cavendish's circumnavigation of 1586-88 was the third voyage around the world, and the account published here on pages 43-78 is one of the first to appear (accounts were issued in Amsterdam almost concurrently). This account is by Francis Pretty. The voyage followed a track similar to Drake's and was certainly based on knowledge gleaned from his trip. Three plates illustrate Cavendish's experiences in the Pacific. The remainder of the volume describes two voyages to the Caribbean and South America, one by Sir Walter Raleigh undertaken in 1595 in his famous search for El Dorado, and another of the following year to the same place, attributed to Raleigh but actually undertaken by Laurence Kemys. The large folding map illustrates this part of the volume, and provides the most detailed version of the cartography and imagined cartography of the Orinoco, Amazon and Guiana region published up to that time. Five of the illustrations also relate to the Guiana exploration. One of the most difficult parts of the De Bry GRAND VOYAGES to obtain, with descriptions of the second and third circumnavigations of the world. CHURCH 164. IX. [Acosta, Joseph, and others]: AMERICAE NONA & POSTREMA PARS. QUA DE RATIONE ELEMENTORUM: DE NOVI ORBIS NATURA...COPIOSE PETRACTATUR. Frankfurt: for Mathias Becker, 1602. First edition. Leaves YY6 and dd4 blank. Letterpress title within engraved border, four letterpress section titles of which two have engraved vignettes, engraved arms on dedication leaf, engraved map of Magellan Straits, 39 engraved plates numbered I-XXV and I-XIV. This contains a number of important accounts relating to Latin America and the Pacific, including the work of Acosta, and the Pacific voyages of Oliver van Noort and Sebald de Weert. Although De Bry died in 1598, his vast illustrated publishing endeavor was carried on by his widow and two sons, Johann Theodor and Johann Israel, who issued parts seven, eight and the present ninth part, intending it to be the final installment or "postrema pars" of the monumental Grand Voyages series. This would of course not be the case, as the series extended to a total of thirteen parts, but part ten was not published until 1619. The "Grand Voyages" has been described by Boies Penrose as "stately...the cornerstone of every library of Americana." The seven books of Acosta's HISTORIA NATURAL Y MORAL DE LAS INDIAS (first published Seville, 1590), is the first work included here, and is regarded as one of the most important source books on the Indians of Mexico and Peru. Based on Acosta's time in the missions of both countries from 1571 to 1588, the HISTORIA NATURAL provided a vital picture of the Spanish plundering of the New World to a European readership. Streeter states that Acosta's work "operated more strongly than any other in opening the eyes of the rest of Europe to the great wealth that Spain was draining from America." The fourteen De Bry engravings which relate to this section depict in vivid (and at times exaggerated) detail the customs of the Aztecs and Incas and their violent confrontations with the Spaniards. Includes engravings of Indians working Potosi mines, llamas as beasts of burden, Aztec religious rites, games, human sacrifices, funerals, etc. These are some of the most exquisite of early ethnographic illustrations of native Americans, nothing really approaches the detail and quality of these pictures until the 19th century. Also included is the account of Olivier van Noort's Pacific voyage, describing a journey to the Moluccas via the Straits of Magellan. Olivier entered the Straits on Sept. 5, 1599, and as a consequence of terrible weather conditions did not make it into the Pacific until Feb. 29, 1600. He continued along the coast of Chile, to Peru and New Spain, stopping at the Mariana Islands, Manila, Borneo, and Java, returning to Rotterdam in August of 1601. The voyage was first published in Rotterdam and Amsterdam in 1602 and then translated into German. The ADDITAMENTUM... has its own engraved titlepage illustrated with a portrait of van Noort with the New and Old Worlds represented on two globes, with two standing figures, a Native American and a tatooed Pacific Islander. Eleven plates relate to the van Noort voyage, including wonderful depictions of native South Americans, views of places visited, Dutch interaction with Indians, clubbing penguins, etc. Finally there is the account of Sebald de Weert's voyage of the same object as the van Noort voyage. On June 20, 1598, De Weert sailed from Amsterdam on a vessel which was part of the fleet sent to the Moluccas by way of the Straits of Magellan. The voyage met with disaster, the commander of the expedition died, and de Weert's ship was the only one that returned. One fortunate side note to this voyage was the discovery of three islands located about sixty miles from the South American continent, appropriately named the Sebaldines. The separate titlepage for the RELATIO HISTORICA... includes a handsome engraving of the five ships which formed the fleet. Fourteen beautiful engraved plates correspond to the RELATIO HISTORICA..., depicting incidents from the voyage, ports visited, including Rio de Janeiro and San Sebastian, as well as hostile natives met along the route through the Straits. The total of thirty-nine plates and the map of the Straits of Magellan contained in this volume represent a treasure of classic American ethnographic illustrations. De Bry's sons equal and perhaps exceed the work of their master father, and the art of depicting the historical scenes of discovery and conquest in the New World is carried out to the highest order. A classic volume of American ethnographic illustration, including two little-known Pacific voyages. CHURCH 168. X. [Vespucci, Amerigo, Hamor, Ralph and John Smith]: AMERICAE PARS DECIMA: QUA CONTINENTUR, I. DUAE NAVIGATIONES D[OMI]N[I] AMERICI VESPUTII...II. SOLIDA NARRATIO DE MODERNO PROVINCIAE VIRGINIAE...AUTHORE RAPHE HAMOR...III. VERA DESCRIPTIO NOVAE ANGLIAE...A CAPITANEO JOHANNE SCHMIDT. Oppenheim: Hieronymus Gallerus, 1619. First edition, first issue. Leaf I4 blank. Letterpress title to text with engraved vignette, letterpress title to plates, 12 engraved plates. Lacking blank leaf c4. The tenth part of the GRAND VOYAGES was issued seventeen years after part nine, when the series was resumed by De Bry's son-in- law. It contains illustrated editions of three major narratives. The first are the letters of Vespucci relating to his explorations of South America in the decade after Columbus. The other two are major narratives of the English settlement of North America. Hamor's description of the infant Virginia colony was originally published in london in 1615, and here appears with illustrations. John Smith's foundation work A DESCRIPTION OF NEW ENGLAND, was published in London in 1616 and also appears here in illustrated form. CHURCH 170. XI. [Schouten, Willem, and Joris van Spilbergen]: AMERICAE PARS UNDECIMA: SEU DESCRIPTION ADMIRANDI INTINERIS A GUILLIELMO SCHOUTEN...PERACTI. Oppenheim: Hieronymus Gallerus, 1619. First edition. Blank leaves F6, D6 and e6. 2 letterpress titles with engraved vignettes, 2 letterpress section titles, 3 engraved maps (1 small format folding map of New Guinea, one folding map of the south Pacific, and 1 of the straits of Magellan), 29 plates. Lacking original engraved map of 'Mar di India', but present as a facsimile. The De Bry edition of the first two Dutch cirumnavigations, both voyages of the greatest magnitude. Schouten sailed with Jacob le Maire around the world in 1615-17, and Spilbergen accomplished the same task in 1614-1618. Both added greatly to knowledge of the South Pacific and southern South America. CHURCH 172. XII. [Herrera, Antonio and others]: NOVI ORBIS PARS DUODECIMA. SIVE DESCRIPTIO INDIAE OCCIDENTALIS, AUCTORE ANTONIO DE HERRERA. Frankfurt: for heirs of Johann Theodore de Bry, 1624. First edition. Letterpress title with engraved border, letterpress title, double- page map of the western hemisphere, 19 engraved text illustrations, 14 engraved maps (1 double- page). Lacks initial blank leaf and blank leaf Cc8. A collection of important voyages in the West Indies and around South America, most notable for the collection of maps of different parts of the Americas which accompany Herrera's work. Besides this, there is a series of accounts of different voyages in the Straits of Magellan between Magellan in 1519 and the Nodal brothers in 1618. CHURCH 173. A magnificent set of the most famous and influential of all collections of voyages, including a particularly fine copy of the highly esteemed first part, Hariot's VIRGINIA. The iconography disseminated through De Bry's popular compilation of travel narratives dominated the European view of the New World for more than a century after their publication. The exceptional ethnographic engravings in the first two parts are of special importance for the study of Native American life at the time of the first encroachment of Europeans. Throughout the set, however, many engravings include images of flora, fauna, and topography that provide interesting details about the way America looked in the 16th century and the way Europeans saw her.etails about the way America looked in the 16th century and the way Europeans saw her. Fermer

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London: "Engrav'd by Willm. Henry Toms", "1733" [but circa 1735]. Folio. (20 1/2 x 15 3/8 inches). Engraved map by William Henry Toms, with very... Ouvrir

London: "Engrav'd by Willm. Henry Toms", "1733" [but circa 1735]. Folio. (20 1/2 x 15 3/8 inches). Engraved map by William Henry Toms, with very fine full contemporary hand-colouring (with twenty-two integral inset views and plans) on 15 double-page and 5 single-page sheets, with full contemporary hand-colouring, mounted on guards throughout. (Without the table of contents leaf as usual, and without the double-page key map by Toms). Expertly bound to style in half 18th-century russia over original 18th-century marbled paper-covered boards, spine gilt with red morocco spine label, modern blue morocco-backed cloth box, titled in gilt. A monument to 18th-century American cartography: a highly attractive fully- coloured copy of the first large-scale map of North America, and the first printed map to show the thirteen colonies. Popple maps with full contemporary colour are exceedingly rare. Popple produced this map under the auspices of the Lord Commissioners of Trade and Plantations to help settle disputes arising from the rival expansion of English, Spanish and French colonies. "France claimed not only Canada, but also territories drained by the Mississippi and it's tributaries - in practical terms, an area of half a continent" (Goss The Mapping Of North America p.122.) The present copy of Popple's map, with its full contemporary hand-colouring, would have been particularly useful in these disputes. Mark Babinski in his masterly monograph on this map notes that 'The typical coloring of fully colored copies ... is described best by a contemporary manuscript legend on the end-paper affixing the Key map to the binding in the King George III copy at the British Library: "Green - Indian Countrys. Red - English. Yellow - Spanish. Blue - French. Purple - Dutch." The careful demarcation of the disputed areas by colour would have made the identification of whether a particular location was in one or another 'zone' a great deal easier. Thus the colouring adds a whole new dimension to a map that is usually only seen in its uncoloured state, and perhaps suggests that the copies with full hand-colouring were originally produced for some as-yet-unrediscovered official use to do with the international land disputes of the time. Benjamin Franklin, on May 22, 1746, ordered two copies of this map, "one bound the other in sheets," for the Pennsylvania Assembly. It was the only map of sufficient size and grandeur available - and the map is on a grand scale: if actually assembled it would result in a rectangle over eight feet square. Its coverage extends from the Grand Banks off Newfoundland to about ten degrees west of Lake Superior, and from the Great Lakes to the north coast of South America. Several of the sections are illustrated with handsome pictorial insets, including views of New York City, Niagara Falls, Mexico City, and Quebec, and inset maps of Boston, Charles-Town, Providence, Bermuda, and a number of others. "Little is known of Henry Popple except that he came from a family whose members had served the Board of Trade and Plantations for three generations, a connection that must have been a factor in his undertaking the map, his only known cartographic work" (McCorkle America Emergent 21.) Babinski has made a detailed study of the issues and states of the Popple map. This copy is in Babinski's state 6: the imprint on sheet 20 reads "London Engrav'd by Willm. Henry Toms 1733" (i.e. without R. W. Searle's name), sheet one includes the engraved figure "l" in the upper left corner just above the intersection of the two neat lines and engraved sheet numbers have been added to the upper right corners of each sheet. Mark Babinski Henry Popple's 1733 map (New Jersey, 1998) (ref); Brown Early Maps of the Ohio Valley 14; cf. Cumming The Southeast in Early Maps 216, 217; Degrees of Latitude 24, state 4 (but with engraved number to sheet 1); E. McSherry Fowble Two Centuries of Prints in America 1680-1880 (1987), 6, 7; cf. John Goss The Mapping of North America (1990) 55 (key map only); Graff 3322; Howes P481, "b"; Lowery 337 & 338; McCorkle America Emergent 21; Phillips Maps p.569; Sabin 64140; Schwartz & Ehrenberg p.151; Streeter Sale 676; Stephenson & McKee Virginia in Maps, map II-18A-B. Fermer

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