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COLOUR: The Art and Science of Illuminated Manuscripts

COLOUR: The Art and Science of Illuminated Manuscripts

By Jim Hinck


A brilliant exhibition of illuminated manuscripts opened this weekend at the Fitzwilliam Museum. If you have any chance of getting to Cambridge before the end of the year this is something you absolutely should not miss.

While a focus on the importance of colour in medieval and early renaissance art brings out a visually stunning selection of items to display, the attention paid to the technical aspects of the subject (pigment types, recipes, international pigment trade, painting techniques, modelling, alchemy, etc.) makes this more than just a collection of beautiful artwork, although it is certainly that too.

Fortunately, if you cannot make it in person you will only be missing out on a portion of what has been done here.  There is, of course, an illustrated printed catalogue (420 pages) which includes general commentary along with extensive catalogue notes on the 150 items placed on display.  At £30 it is a remarkable bargain.

But perhaps even more impressive is the website created in support of the exhibition.  There, reachable by an obscure link near the end of the introduction, is a section of the website entitled “ILLUMINATED: manuscripts in the making.” where high resolution digitised copies of 20 of the manuscripts can be browsed and zoomed.  The quality of these images is exceptional; some of them nearly sparkle on the screen.  They are the first fruits of a manuscript digitisation project which has just been launched and which, together with the exhibition and its catalogue, celebrates the museum’s bicentenary.

COLOUR: The Art and Science of Illuminated Manuscripts

COLOUR is really a remarkable event.  The Fitzwilliam has “the finest and largest museum collection of illuminated manuscripts in existence” and most of the items exhibited are from its own collection. Much of that collection came to it as part of the bequest of the museum’s founder Richard, VII Viscount Fitzwilliam of Merrion, in 1816. A provision of that bequest requires that the manuscripts cannot leave the museum building. Thus they can only be seen at an exhibition like the one now underway. Many are now on public view for the first time. All of which underlines the importance of this exhibition and the Illuminated project to digitise the Fitzwilliam’s spectacular collection.

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Posted on The viaLibri Blog, the blog of the world's largest marketplace for old, rare and out-of-print books. Presented here by permission of the author. Pictures: The viaLibri Blog. 

COLOUR: The Art and Science of Illuminated Manuscripts


30 July – 30 December 2016

Fitzwilliam Museum, Cambridge (United Kingdom)

> Learn more http://www.fitzmuseum.cam.ac.uk/colour/explore/introduction

Published since 04 Aug 2016

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